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Full-Text Articles in English Language and Literature
Britain Colonized: Hollywood's Appropriation Of British Literature, Jennifer Jeffers
Britain Colonized: Hollywood's Appropriation Of British Literature, Jennifer Jeffers
Jennifer M. Jeffers
Britain Colonized analyzes how and why filmmakers use clichéd Hollywood formulas and American cultural standards when adapting British literature. The films discussed in this book are evidence of the way one nation remakes another, often in the image of itself or what it needs the Other to be (as the British Empire once did). Reterritorialization on the part of Hollywood manifests American cultural and capitalist hegemony over the English speaking world. Britain Colonized identifies the phenomena portending the future of British and Anglophone literary and cultural studies as a group of citations appropriated for American ends.
From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel
From Tawa'if To Wife? Making Sense Of Bollywood's Courtesan Genre, Teresa Hubel
Teresa Hubel
Introduction: Although constituting what might be described as only a thimbleful of water in the ocean that is Hindi cinema, the courtesan or tawa'if film is a distinctive Indian genre, one that has no real equivalent in the Western film industry. With Indian and diaspora audiences generally, it has also enjoyed a broad popularity, its music and dance sequences being among the most valued in Hindi film, their specificities often lovingly remembered and reconstructed by fans. Were you, for example, to start singing "Dil Cheez Kya Hai" or "Yeh Kya Hua" especially to a group of north Indians over the …
Yaari With Angrez: Whiteness For A New Bollywood Hero, Teresa Hubel
Yaari With Angrez: Whiteness For A New Bollywood Hero, Teresa Hubel
Teresa Hubel
This chapter comments on the relative insignificance of whiteness to Hindi film narratives, with white characters turning up, when they do, often as peripheral figures to create the effect of historical accuracy. It argues that in Hindi cinema, whiteness cannot function as it does in the West, where the legacy of imperialism has made it an unmarked category, whose invisibility allows it to function as a norm against which the aberration of racial others may be measured. In Indian films, whiteness is marked; and it is, increasingly, markedly white—to be resisted, or desired, or dismissed.