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Film and Media Studies

University at Albany, State University of New York

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Making Thought Matter : Postmodern Models For Material Thinking, James Kenneth Belflower Jan 2015

Making Thought Matter : Postmodern Models For Material Thinking, James Kenneth Belflower

Legacy Theses & Dissertations (2009 - 2024)

Making Thought Matter: Postmodern Models for Material Thinking, crosses disciplines to trace the aesthetic contexts of Postmodern American artists whose work employs the senses to make legible creative and critical modes of synthesis. I contend that in practicing a material thinking—the artistic mobilization of the intimate and affective qualities of conceptual and physical surfaces—these artists reinsert perceptual knowledge and bodily agency into Postmodernism’s “emptied” surfaces. Consequently, their work opposes late theorists of Postmodernity who characterized contemporary artistic forms as immaterial, abstract, and emotionally deficient. To assess contemporary syntheses I develop Philip Johnson’s late International Style Glass House into an analogy …

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The Sabatoge Of Joseph Conrad's "The Secret Agent" : Hitchcock Reads Conrad, Robert Benton Preslar Jan 2012

The Sabatoge Of Joseph Conrad's "The Secret Agent" : Hitchcock Reads Conrad, Robert Benton Preslar

Legacy Theses & Dissertations (2009 - 2024)

This paper traces the ways in which Joseph Conrad's novel The Secret Agent and Alfred Hitchcock's 1936 film Sabotage each comment on their respective mediums. Taking the object which is left behind in the wake of Stevie's death as its starting point, the triangular piece of cloth, this thesis examines the ways in which the figure of the delta alerts the reader to a commentary on language and text that echoes throughout the novel. As that triangular piece of cloth becomes a film tin bearing the title "Bartholomew the Strangler," this paper then traces the resonances that film and the …

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