English Language and Literature Commons^™

Men, Women, And Italians: The Masquerade Of Narrative And Identity In Richardson's Sir Charles Grandison, Ruth A. Holmes

English Theses & Dissertations

The chaotic masquerades that proliferated during the British long eighteenth century punctuated the period’s preoccupation with order and categorization. The identity categories that the masquerade disrupted, the novel reinforced, or perhaps even created. It was in the middle of this period, in the political center of Britain, that Samuel Richardson published his third and final novel, The History of Sir Charles Grandison (1753), a novel which centers England and was also centered by England, a national treasure entangled in literary and cultural history. Tracing the nexus of gender and nationalism in Grandison then becomes important given the novel’s active entanglement …

Defining Heroinism: Heartthrobs Refining Heroines In 18th And 19th Century Women's Literature, Grace M. Gibson

Honors College Theses

This project will explore the emergence of “heroinism,” a uniquely feminine way in which early female authors approached the heroine’s journey. Barred by male expectations of female conduct both in society and literature, eighteenth and nineteenth century women daring to “attempt the pen” forged stories of heroines with conventions and tropes distinctly, though not entirely, separate from those told of centuries of heroes. I intend to track the ways in which these early tales of heroines told by women strayed from the traditional heroic plot, with unique motivations, mentors, trials, and rewards, but also how they were shaped and confined …

Playing To Win: The Marriage Market In Jane Austen’S Northanger Abbey, Sense And Sensibility And Emma, Caroline Elizabeth Nall

Honors Theses

This thesis aims to analyze the implications of the marriage market in Jane Austen’s novels Northanger Abbey, Sense and Sensibility and Emma. In these books, the main focus will be on Isabella Thorpe, who is actively participating in the “game” of the marriage market, Charlotte Palmer, who has won the “game” of marriage, and Miss Bates, who has lost the “game” of marriage. The historical context of these situations, taking place in eighteenth and nineteenth century England, has been taken into account. Austen has created characters to demonstrate the many aspects of a female’s life and how it relates …

Cutting Edge Courtship In Eighteenth-Century London, Margaret E. France

ABO: Interactive Journal for Women in the Arts, 1640-1830

In 1759, an anonymous twenty-two year-old woman placed an advertisement for a husband in the London Daily Advertiser that inspired an unusual sequel: a pamphlet purporting to collect her responses. Exploring the context of this woman's actions and the letters themselves reveals attitudes regarding matrimony and the dangers of virtual social networks that feel surprisingly contemporary.

Review Of Edinburgh Lyceum Theatre Production Of Hannah Cowley's The Belle's Stratagem, Tanya M. Caldwell

ABO: Interactive Journal for Women in the Arts, 1640-1830

This article reviews the production of Hannah Cowley's The Belle's Stratagem directed by Tony Cownie and produced for the Lyceum Theatre in Edinburgh in February and March 2018. In setting the play in Edinburgh and placing emphasis on its women characters, Cownie underscores the universal and timeless relevance of Cowley's play as well as its performance versatility.

The Sounds Of Silence; Or, Isabella’S Counter Discourse In Measure For Measure, Gina Vivona

Theses and Dissertations

This argument reshapes the thinking about masculine dominance in Measure for Measure, and considers the patriarchy as a series of socially constructed, hence artificial, rules and regulations. It also explores how Isabella’s discourse and celibacy empower her to defy the constraints of early modern paradigms and achieve individual freedom.

The Role Of George Henry Lewes In George Eliot’S Career: A Reconsideration, Beverley Rilett

Department of English: Faculty Publications

This article examines the “protection” and “encouragement” George Henry Lewes provided to Eliot throughout her fiction-writing career. According to biographers, Lewes showed his selfless devotion to Eliot by encouraging her to begin and continue writing fiction; by fostering the mystery of her authorship; by managing her finances; by negotiating her publishing contracts; by managing her schedule; by hosting a salon to promote her books; and by staying close by her side for twenty-four years until death parted them. By reconsidering each element of Lewes’s devotion separately, Rilett challenges the prevailing construction of the Eliot–Lewes relationship as the ideal partnership of …

Marriage And Gender: A History Through Letters, Victoria Kern

Senior Honors Projects

Research on the evolution of marriage can be found quite easily, but the opportunity to see into the lives of married couples from the past is rare. Through the analysis of letters between my parents, grandparents, and great-grandparents, I provide a glimpse of what being married has meant throughout the 20^th Century for heterosexual couples. Societal ideas about what makes a marriage ideal have changed over time, but they have always been closely linked with gender expectations (Berk, 2013), so a feminist approach to the analysis of the evolution of marriage is used with my family’s letters as a …

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

The Anti-Hero And The Wallflower Heroine: Moll Flanders And Mansfield Park In Dialogue, Alex Valin

Oglethorpe Journal of Undergraduate Research

Daniel Defoe’s 1722 novel Moll Flanders and Jane Austen’s Mansfield Park, published ninety years later, retain many narrative similarities. The protagonists of both novels find themselves born poor, symbolically adopted by a well-to-do family, whom they are Othered from to a certain degree, and eventually marry one of the sons of said family. However, no reader of literature could say that Moll Flanders and Fanny Price are the same character. Rather, the differences in their characters come from the amount of agency afforded to them by the respective novel. Ultimately, these two characters form prototypes of characters to be ingrained …

Radical Rejections And Sloppy Seconds, Meaghan Dodson

English Student Scholarship

Jane Austen is famous for her heroines and their marriages; at the same time, however, she is also infamous for these same heroines rejecting proposals of marriage. This paper explores how Austen uses the failed marriage proposal to show how women need not fear putting their own happiness first - an idea that is just as radical in our own day and age.

A Time And Place For Premarital Desire: Positive Uses Of Lust In Edmund Spenser’S The Faerie Queene, Rachel Balzar

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

Lust plays a large role in Edmund Spenser’s famous 1590 poem The Faerie Queene—this much Early Modern scholars can agree on. Surrounding the purpose lust serves in this didactic tale, however, there is a good deal of contention. Some academics argue that Spenser uses his lurid descriptions of lust to reveal to readers their own sinful preferences. Others claim that Spenser uses lust simply to attract an audience. The list of differing interpretations of the text goes on. But one overarching theme can be seen in all of these unique analyses of lust: each operates on the assumption that …

A Love That Lasts: Jane Austen’S Argument For A Marriage Based On Love In Pride And Prejudice, Katlin A. Berry

Senior Honors Theses

During the period of Regency England, a woman’s life was planned for her before she was born, and her place in society was defined by her marital status. Before she was married, she was her father’s daughter with a slim possibility of inheriting property. After she was married, legally she did not exist; she was subsumed into her husband with absolutely no legal, political, or financial rights. She was someone’s wife; that is, if she was fortunate enough to marry because spinsters had very few opportunities to earn enough money to live on alone. Therefore, it was imperative that women …

Happily Ever After? Redefining Womanhood And Marriage In Nineteenth-Century Novels, Laura Elizabeth Cox

Graduate Theses and Dissertations

Jane Austen, Elizabeth Gaskell, Charlotte Brontë, and Henry James challenged patriarchal conventions and assumptions by redefining womanhood and marriage in their novels, particularly by breaking from the traditional marriage ending. While Pride and Prejudice, North and South, and Jane Eyre end in marriage, these novels depict a freely chosen companionate marriage based on equality; Villette replaces the typical marriage ending with complete independence; and Washington Square and The Portrait of a Lady both portray the decisive rejection of the marriage ideal for a life of renunciation. This thesis analyzes the ways in which these novels challenge nineteenth-century society, as well …

Geoffrey Chaucer's The Canterbury Tales: Rhetoric And Gender In Marriage, Andrea Marcotte

University of New Orleans Theses and Dissertations

In the Middle Ages, marriage represented a shift in the balance of power for both men and women. Struggling to define what constitutes the ideal marriage in medieval society, the marriage group of Geoffrey Chaucer's The Canterbury Tales attempts to reconcile the ongoing battle for sovereignty between husband and wife. Existing hierarchies restricted women; therefore, marriage fittingly presented more obstacles for women. Chaucer creates the dynamic personalities of the Wife of Bath, the Clerk and the Merchant to debate marriage intelligently while citing their experiences within marriage in their prologues. The rhetorical device of ethos plays a significant role for …

Trophies Or Treasures: The Burden Of Choice For Mothers, Wives, And Daughters In Washington Square, The Portrait Of A Lady, And The Bostonians., Melissa C. Huisman

Electronic Theses and Dissertations

In the world of Henry James's novels, characters are often placed in difficult situations where their happiness depends on their ability to make a free choice. Female characters are manipulated and diminished by a patriarchal system that not only seeks to subordinate their will, but also to objectify them, to place them on the shelf as a trophy. Fathers and husbands are typically the controlling agents, but James also presents women who appropriate the dominating role.

With varying degrees of success, each female character rejects the status of trophy. Instead, each attempts to make choices and determine her own future. …

Secrets And Hiding Places: The Worth Of Women In Nicholas Nickleby, Elizabeth Redmond

Seton Hall University Dissertations and Theses (ETDs)

In early Victorian England, married women were denied the legal right to own property, and social convention remanded them to ostracism if they chose to remain single. Likewise, jobs that were available to women failed to pay a living wage, so women were placed under tremendous economic and social pressure to marry. In Charles Dickens' novel, Nicholas Nickleby, he depicts how marriage becomes manipulated within the working and middle classes as a means to acquire wealth. Dickens also compares the repression of women to the abuse suffered by school children in the Yorkshire schools, which had a reputation for neglecting …

Negotiating Victorian Feminism: Anne Thackeray Ritchie's Short Fiction, Manuela MourãO

English Faculty Publications

First paragraph:

Best known for her autobiographical introductions to the collected works of her father, William Makepeace Thackeray, and for her biographical essays on several famous writers, Anne Thackeray Ritchie has repeatedly been considered most important as a source of inside information regarding her famous contemporaries. From Dickens to the Brownings, from Tennyson to James, she counted many of the canonical British nineteenth- and early- twentieth-century writers as her friends and often wrote to and about them.2 The scope of her work, however, is much wider and deserves closer scrutiny than it has so far received.