Open Access. Powered by Scholars. Published by Universities.®

English Language and Literature Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 2 of 2

Full-Text Articles in English Language and Literature

The Bioscience-Industrial Complex, Radical Materialist Aesthetics, And Interspecies Political Ecologies: The Unforeseen Posthuman Future In Mary Shelley's Frankenstein And Margaret Atwood's Maddaddam Trilogy, Sarah Sydney Lane Jan 2015

The Bioscience-Industrial Complex, Radical Materialist Aesthetics, And Interspecies Political Ecologies: The Unforeseen Posthuman Future In Mary Shelley's Frankenstein And Margaret Atwood's Maddaddam Trilogy, Sarah Sydney Lane

Graduate Student Theses, Dissertations, & Professional Papers

This project traces how Mary Shelley’s Frankenstein and Margaret Atwood’s MaddAddam Trilogy, science fiction novels from the Romantic and contemporary literary periods respectively, contest the problematic relationships between subjecthood, science, ecological health, and patriarchal, capitalist societies by crafting radical materialist alternatives to such a system and its dualistic and destructive interpersonal/interspecies relations. Through the theoretical framework of ecofeminism that recognizes the conceptual linkages between women and nature in Western systems of thought, as well as psychoanalytical feminist critiques of the masculinization of scientific epistemology, this project examines the developmental and ontological overlaps between literary “masculine” and “scientific” subjects socialized under …


Morphing Myths And Shedding Skins: Interconnectivity And The Subversion Of The Isolated Female Self In Angela Carter’S “The Tiger’S Bride” And Margaret Atwood’S Surfacing, Sara M. Laskoski Jan 2015

Morphing Myths And Shedding Skins: Interconnectivity And The Subversion Of The Isolated Female Self In Angela Carter’S “The Tiger’S Bride” And Margaret Atwood’S Surfacing, Sara M. Laskoski

Graduate Student Theses, Dissertations, & Professional Papers

This project is an analysis of the utilization of mythmaking and human-animal relationships reflected in Angela Carter’s “The Tiger’s Bride” and Margaret Atwood’s Surfacing. Carter and Atwood show how societal restrictions can devalue the connections between the body, the mind, and the natural world. Through the theoretical lenses of primarily post-structuralism and ecofeminism, this project seeks to show how these two authors subvert isolated female identities through the use of the fairy tale element of the human-animal transformation. This subversion rejects dualistic tendencies of the dominant, patriarchal society, opening new ways of identifying the self through interconnections otherwise rejected or …