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Full-Text Articles in English Language and Literature

Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling Apr 2021

Candidates For L’Ecriture Feminine: Analyses Of Austen’S Pride And Prejudice, Woolf’S Night And Day, And Morrison’S Sula, Brooklyn J. Jongeling

Honors Thesis

This thesis discusses Hélène Cixous’ ideas on feminine literature, as expressed in her article, “The Laugh of Medusa,” and attempts to apply the goals that she sets out for what feminine literature must look like in order to develop the literary cannon to the novel. In an attempt to pull away from traditional patriarchal images and expectations of feminine lifestyles, I join Cixous’ call for the marginalized to inscribe their voices into the cannon for themselves, and argue that representation of such images in literature is necessary to the development of our biased perceptions to more authentically represent typically marginalized …


Teaching Persuasion In Multiple Contexts, Peter J. Capuano Jan 2021

Teaching Persuasion In Multiple Contexts, Peter J. Capuano

Department of English: Faculty Publications

Teaching Persuasion in Multiple Contexts by Peter J. Capuano, a chapter in Approaches to Teaching Austen's Persuasion, edited by Marcia McClintock Folsom and John Wiltshire, published by the Modern Language Association of America, New York, 2021.

Introduction

Jane Austen's more well-known fiction has inspired strong attachments from many people (instructors and students alike), but Persuasion might be Austen's most dynamic and teachable novel. In fact, one of the many advantages of teaching Persuasion is that so many students-even the ones who come into my courses already professing their love for Austen's works-have never read the text before. They are …


Interiority And Narrative Temporality In Jane Austen’S Persuasion, Margaret Flahery Jun 2020

Interiority And Narrative Temporality In Jane Austen’S Persuasion, Margaret Flahery

The Criterion

Jane Austen’s last completed work, Persuasion, explores protagonist Anne Elliot’s female agency through use of free indirect discourse and time shifts. In the novel, published in 1817, Austen mediates between different time periods — the present day and seven years prior — to demonstrate Anne’s maturity and the evolved perspective of a woman’s status in society. Anne’s shifting interiority reflects what it means to be a woman in the Regency era, and, perhaps, across time, as she breaks out of the mediated and subjective perceptions placed upon her by herself and other characters. The result is a revolutionary conception of …


Strong Female Characters: Jane Austen's Vs. The Mashups', Rachel Mccoy Apr 2018

Strong Female Characters: Jane Austen's Vs. The Mashups', Rachel Mccoy

Mahurin Honors College Capstone Experience/Thesis Projects

The comparison of Strong Female Characters in Jane Austen’s novels Pride & Prejudice and Sense & Sensibility, with the altered characters in the monster mashups by Seth Grahame-Smith and Ben Winters, Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters, respectively, reveals differences between the two society’s understanding and portrayal of strength and femininity. Because these texts are so closely connected – Austen is listed as a co-author of both mashups – the differences evident in the representations of women more clearly reveal the differing cultural values. Close textual analysis of the development of three primary female …


In Defense Of Marianne Dashwood: A Categorization Of Language Into Principles Of Sense And Sensibility, Ashley Bonin Jan 2015

In Defense Of Marianne Dashwood: A Categorization Of Language Into Principles Of Sense And Sensibility, Ashley Bonin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Radical Rejections And Sloppy Seconds, Meaghan Dodson Dec 2014

Radical Rejections And Sloppy Seconds, Meaghan Dodson

English Student Scholarship

Jane Austen is famous for her heroines and their marriages; at the same time, however, she is also infamous for these same heroines rejecting proposals of marriage. This paper explores how Austen uses the failed marriage proposal to show how women need not fear putting their own happiness first - an idea that is just as radical in our own day and age.