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Full-Text Articles in English Language and Literature
A Case For Tolkien As Master Of The Sublime, Graham A.C. Scheper
A Case For Tolkien As Master Of The Sublime, Graham A.C. Scheper
Journal of Tolkien Research
The present article aims to reconcile Tolkien with the Literary Critics through an exploration of Tolkien's use of the sublime. First, an explanation of the sublime is given, with a summary of its evolution over the past two millennia. Subsequently, three key thrusts of the sublime's manifestation in Tolkien's work are identified: his use of depth and incompleteness, his use of vastness and grandeur, and his usage of shadows and death. Investigating Tolkien's usage of these devices in turn illuminates his skill as an artist and as an author.
‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile
‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile
Journal of Tolkien Research
The famous lines "Where now the horse and the rider?" from The Two Towers, spoken by Théoden in Peter Jackson's film, but recited by Aragorn in Tolkien's original text, find an unquestionable source in the Anglo-Saxon poem The Wanderer, and as such received detailed comment by the Professor as a scholar, stating that it is not very important to identify who the rider being cited might be, as long as we admit he is a "type". In order to understand the type of this rider, then, we only have to look for similar occurrences of the evergreen "ubi …