Open Access. Powered by Scholars. Published by Universities.®
English Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Publication Type
Articles 1 - 2 of 2
Full-Text Articles in English Language and Literature
Empathic Encounters: Negotiating Identity In 9/11 Fiction And Translation, Kirsty A. Hemsworth
Empathic Encounters: Negotiating Identity In 9/11 Fiction And Translation, Kirsty A. Hemsworth
The Quiet Corner Interdisciplinary Journal
Dominated by the polarized strategies of domestication and foreignization, conventional literary translation approaches tend to operate on the assumption that source and target cultures, and, by extension, their literary works, are fundamentally irreconcilable on the basis of linguistic, stylistic and ideological differences. Dislocated by the traumatic force of the event, only to be further uprooted by the translation process itself, the identities at stake in American works of 9/11 fiction cannot be so clearly differentiated and securely defined. Moreover, any attempt to fictionalize and translate this real-world trauma inevitably encounters the event as a visual singularity, whereby the image supersedes …
Rotten Symbol Mongering: Scapegoating In Post-9/11 American War Literature, David Andrew Buchanan
Rotten Symbol Mongering: Scapegoating In Post-9/11 American War Literature, David Andrew Buchanan
Electronic Theses and Dissertations
A rhetorical approach to the fiction of war offers an appropriate vehicle by which one may encounter and interrogate such literature and the cultural metanarratives that exist therein. My project is a critical analysis—one that relies heavily upon Kenneth Burke’s dramatistic method and his concepts of scapegoating, the comic corrective, and hierarchical psychosis—of three war novels published in 2012 (The Yellow Birds by Kevin Powers, FOBBIT by David Abrams, and Billy Lynn’s Long Halftime Walk by Ben Fountain). This analysis assumes a rhetorical screen in order to subvert and redirect the grand narratives the United States perpetuates in art …