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- Flannery O'Connor (8)
- Characters (7)
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- Wise Blood (3)
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- "Revelation" (1)
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- A Streetcar Named Desire (1)
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Articles 1 - 12 of 12
Full-Text Articles in English Language and Literature
Jerry-Rigged Salvation, John Sivils
Jerry-Rigged Salvation, John Sivils
English Class Publications
This paper examines the anagogical meaning of certain objects in three of Flannery O'Connor's stories, and then proposes how those meanings nuance narrative themes.
Flannery's "Daunting Grace": O'Connor's Nuanced Portrayals Of Disability, Joanna Horton
Flannery's "Daunting Grace": O'Connor's Nuanced Portrayals Of Disability, Joanna Horton
English Class Publications
Throughout O'Connor's fiction, we see characters who are marked by suffering or disability. It is tempting to analyze those disabled characters purely as symbols. However, if we understand O'Connors conception of suffering as an experience which prepares us for grace, we may discern which characters receive grace through suffering and which refuse to recognize their need.
Truer Than Fiction: Flannery O'Connor's Fictional Fathers, Addison Crow
Truer Than Fiction: Flannery O'Connor's Fictional Fathers, Addison Crow
English Class Publications
Flannery O’Connor grew up with a loving and supportive father, so it is perplexing that she fills her stories with fathers who portray the opposite. O’Connor’s fictional fathers, when they are included in the story, are controlling, harsh, and malicious—the complete opposite of her father, Edward O’Connor. Why would O’Connor create fathers whose image so intensely contrast that of her own supportive, gentle, and loving father? My purpose in this paper is to examine O’Connor’s fictional fathers in her short stories, “The Artificial N” and “The Comforts of Home,” and her novel, The Violent Bear It Away, and attempt …
"Unsex Me Here": A Queer Reading Of Faith In O'Connor, Shelby Spears
"Unsex Me Here": A Queer Reading Of Faith In O'Connor, Shelby Spears
English Class Publications
In this essay, the author examines the O'Connor stories "The Life You Save may be Your Own," "The Comports of Home," and "A Temple of the Holy Ghost" from a queer perspective using psycho-biographical evidence.
Nothing But The Blood Of Jesus?: O'Connor's Critique Of Protestantism In Wise Blood, Jessica Saunders
Nothing But The Blood Of Jesus?: O'Connor's Critique Of Protestantism In Wise Blood, Jessica Saunders
English Class Publications
Published in 1949, Flannery O’Connor’s first novel, Wise Blood, satirizes not Christianity itself, but rather man’s twisted practice of the faith that O’Connor held so dear. O’Connor, a devout Roman Catholic living in the Bible Belt, writes to critique the heresy, hypocrisy, and apathy that pervaded the lives of Protestants in the South—a region that O’Connor describes as “hardly Christ-centered” but “most certainly Christ-haunted” (Mystery and Manners 44). O’Connor portrays the characters in Wise Blood as Protestants, non-Christians, or the nihilistic protagonist and hero himself, Hazel Motes, who in his rejection of the gospel, founds the Church of Christ …
Get Woke: The Themes And Receptions Of The Works Of Kate Chopin, Haydn Jeffers
Get Woke: The Themes And Receptions Of The Works Of Kate Chopin, Haydn Jeffers
English Class Publications
Kate Chopin was a prolific writer in the late nineteenth century, popular for her copious number of short stories focusing on the circumstances and lives of married women, that is, the relationship between women and the institution of marriage itself. She published these short stories primarily in magazines such as Vogue, Atlantic Monthly, and Century (Clark), and they were well received by the public, especially women, during that time. Her most popular stories were compiled into two collections: Bayou Folk, published in 1894, and A Night in Acadie, published in 1897. Both collections were highly praised …
The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong
The Mote In Hazel's Eye: The Blurred Vision Of Flannery O'Connor's "Wise Blood", Kimberly Wong
English Class Publications
While some authors start writing their novels with a full outline in mind, Flannery O’Connor’s first novel, Wise Blood, began with a short story written for the Writers’ Workshop at Iowa State in December 1946. This short story, titled “The Train,” was inspired when O’Connor was on a train going home for Christmas. She recalls, “‘There was a Tennessee boy on it in uniform who was much taken up worrying the porter about how the berths were made up” (qtd in Gooch 134). Then, O’Connor wrote Wise Blood’s larger story as a part of her masters’ thesis, but upon hearing …
All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner
All Men Created Equal: Flannery O'Connor Responds Communism, Nina Hefner
English Class Publications
From her mother’s farm, Andalusia in Milledgeville, Georgia, Flannery O’Connor found her writing inspiration by observing the ways of the South. Naturally, a pervasive motif in her works is racism. For instance, in “Revelation” Ruby Turpin spends a good portion of the short story thanking God that she is neither white trash nor black. In her essay “Aligning the Psychological with the Theological: Doubling and Race in Flannery O’Connor’s Fiction,” Doreen Fowler points out that “[Ruby’s] insistence on setting racial boundaries has been an attempt to distinguish a white, superior identity” (81), equality with African Americans being Ruby Turpin’s ultimate …
Money Buys Happiness: A Psychoanalytic Reading Of O'Connor, Hannah Wright
Money Buys Happiness: A Psychoanalytic Reading Of O'Connor, Hannah Wright
English Class Publications
In the year 1946 when Flannery O’Connor was about twenty-one years old, she and her mother Regina signed a document emancipating Flannery from her mother’s care so that she could attend the creative writing program at the University of Iowa (Release of Guardianship). In this determined show of independence, Flannery chose to move away from her mother and take responsibility for herself. However, this responsibility became too much for O’Connor to handle when she was diagnosed with lupus shortly after her twenty-sixth birthday. She was forced to move back in with her mother in Milledgeville and relinquish a great deal …
A Place For Poe: The Foreign In Two Tales Of The Gothic, Shelby Spears
A Place For Poe: The Foreign In Two Tales Of The Gothic, Shelby Spears
English Class Publications
There are certain words we use so often in life that they begin to lose their meaning—buzzwords, or broad categorical ones, like millennial. These words, too, crop up in literature: Here I would like to explore one of these in particular, Gothic. We talk often of Gothic literature, Gothic writers, Gothic horror, Gothic post-core triphop—but our definition is so often fuzzy. We know that to be Gothic means to be scary, to be full of the strange and terrifying, but where exactly do we draw the line between Gothic and other forms of horror fiction? Is Stephen King Gothic? Is …
It's Reigning Men: American Masculinity Portrayed Through Stanley Kowalski, Nina Hefner
It's Reigning Men: American Masculinity Portrayed Through Stanley Kowalski, Nina Hefner
English Class Publications
“Be a man!” Popular culture shouts this seemingly innocent command at males of all ages. Throughout the twentieth century, both men and women experienced shocking changes to society’s expectations of their gender norms. With the rise of the feminist movement during the twentieth century, women were able to leave the home and embrace the workforce. More opportunities opened up for women, such as factory jobs and secretary positions, making America’s society more egalitarian between the sexes. On the other hand, after the trauma of WWII and the onset of the Cold War, men experienced a twist in society’s expectations during …
Huck Finn And The Tragedy Of Being Banned, Peyton Harris
Huck Finn And The Tragedy Of Being Banned, Peyton Harris
English Class Publications
Mark Twain once said, "I am perfectly astonished--a-s-t-o-n-i-s-h-e-d--ladies and gentlemen--astonished at the way history repeats itself." This opening line of Twain's speech at the Papyrus Club in Boston of February 24, 1881 is proof of his fascination with the patterns of humanity. As the already famous author of The Adventures of Tom Sawyer, Twain's commentary on social hypocrisy and moral social maturation was well known. After writing this novel and confessing his interest in humanity, it is no surprise that Twain chose to once again delve into the world of fiction and produce what would become an instant classic …