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Full-Text Articles in English Language and Literature

Letting The Cat Out Of The Wall: Irrepressible Perversity In Poe, Kelly Gallagher Jan 2022

Letting The Cat Out Of The Wall: Irrepressible Perversity In Poe, Kelly Gallagher

The Criterion

This paper examines several short stories by Edgar Allan Poe that feature the motif of immurement, the practice of imprisoning a victim within walls. Poe uses immurement in “The Black Cat” and “The Tell-Tale Heart” to suggest psychological suppression as the narrators physically hide their victims while simultaneously hiding their own self-destructive natures, which he refers to as “perversity.” His stories “The Imp of the Perverse” and “The Cask of Amontillado” convey that attempting to suppress one’s capacity for self-destruction only guarantees self-destruction. Poe’s motif of immurement demonstrates how human beings tend to ignore their inherent perversity, but his stories …


The Art Of Death: Murder According To Poe, Hitchcock, And De Quincey, Jeanine Bee Apr 2016

The Art Of Death: Murder According To Poe, Hitchcock, And De Quincey, Jeanine Bee

Criterion: A Journal of Literary Criticism

This paper examines the works of both Edgar Allan Poe and Alfred Hitchcock in light of Thomas De Quincey’s series of essays entitled “On Murder Considered as One of the Fine Arts.” In his essays, De Quincey presents murder as an art form that can be criticized and appreciated just as any other fine art. While De Quincey’s essays faced some negative reaction when they were originally published, both Edgar Allan Poe and Alfred Hitchcock seem to have found something worthwhile in De Quincey’s ideas about the art of murder; Poe and Hitchcock both present murder as an art form …


"Ushering" In The Fulfillment Of Prophecy, Alison M. Pulliam Dec 2015

"Ushering" In The Fulfillment Of Prophecy, Alison M. Pulliam

Aidenn: The Liberty Undergraduate Journal of American Literature

During the 19th century, a phenomenon known as “Holy Land mania” was sweeping the United States. Americans were intrigued by the state of the Holy Land and whether or not this state matched the images described in biblical prophecy (Robey 62). Interest in Israel’s condition invaded many aspects of American life, including literature. Looking through the lens of historical criticism, it is easy to see how authors of this time period fed on the “Holy Land mania” to include references to prophecy and the Middle East in their writings. In particular, critic Molly K. Robey accurately points out in …


Understanding Death In Brown And Poe: Backgrounds And Continuities, Anthony Cunder Jan 2014

Understanding Death In Brown And Poe: Backgrounds And Continuities, Anthony Cunder

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.


Missing Persons: Cherokee's Parrot And Chatterton's Poet , Leonard R. Koos Jun 1999

Missing Persons: Cherokee's Parrot And Chatterton's Poet , Leonard R. Koos

Studies in 20th & 21st Century Literature

This essay explores the problematic nature of selfhood in the detective genre as established by Edgar Allan Poe's "Murders in the Rue Morgue" (1841) and most recently reformulated in two metaphysical detective novels, Jean Echenoz's Cherokee (1983) and Peter Ackroyd's Chatterton (1987). Poe's detective Auguste Dupin is described as having a "Bi-Part Soul," which permits him to vacate himself in order to construct the narrative solution to a crime. This duality, in the postmodern detective novel, is transformed into an irrevocable dislocation of the subject. Cherokee's onomastic devalorization of the story's characters and simulation of the human subject in the …