English Language and Literature Commons^™

Kenneth Koch's Postmodern Comedy Revisited, John Campbell Nichols

Masters Theses

This thesis describes and analyzes the postmodern comedy of New York School poet, Kenneth Koch and discusses the changes this comedy underwent throughout his lengthy career. The thesis is divided into four chapters. Chapter I explains the aesthetic of the New York School of poets as contrasted to the dominant New Critical compositional aesthetic embodied by poets such as Robert Lowell in the mid-century United States. Chapter II develops Koch’s comedy as expressing an emergent postmodernism. Chapter III discusses the various aspects of Koch’s comedy, sampling poems from across his career. Chapter IV traces the development and maturity of Koch’s …

Mental Illness In Early American Fiction: Charles Brockden Brown And The Sentimental Novelists, Katie E. Walk

Masters Theses

The late eighteenth and early nineteenth centuries witnessed the development of the United States of America as a new nation. This development brought with it new ideologies and social and political change; included in these changes was the way that sexual conduct outside of marriage was dealt with. Because the emerging legal system became less concerned with matters of morality, some people became frightened that sexual promiscuity would become rampant. The sentimental novel or seduction tale became a means of attempting to control sexual behavior when the law was not able to step in.

The way that madness, a term …

The Lyric And The Lathe: Dreams Of Perfect Poetic Efficiency, 1800-1917, Steven A. Nathaniel

Masters Theses

This study examines patterns of efficiency in the poetry and theory of William Wordsworth, Hilda Doolittle, and other figures from the Modernist and Romantic periods. I begin by defining perfect efficiency as occurring when energy transforms, without loss, inside a closed energy system, and I offer perpetual motion machines as hypothetical examples of this impossible state. I then demonstrate the process of efficiency in William Wordsworth's poetry, which begins with circumlocutory poetic cycles but contracts into terse repetitions. Since technical efficiency is calculated by the formula output/input, poetry's subjectivity makes poetic efficiency difficult to measure. However, I suggest that repetitions …