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Articles 1 - 3 of 3
Full-Text Articles in East Asian Languages and Societies
A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu
A Refuge For Jae-In Doe: Fugues In The Key Of English Major, Seo-Young J. Chu
Publications and Research
"A Refuge for Jae-in Doe: Fugues in the Key of English Major"
- Author(s):
- Seo-Young Chu (see profile)
- Date:
- 2017
- Subject(s):
- Feminism, Creative nonfiction, Asian American literature, Sonnets, Social justice, Trauma
- Item Type:
- Essay
- Tag(s):
- #MeToo, Stanford, women in academia, early american
- Permanent URL:
- http://dx.doi.org/10.17613/cp82-8f39
The Formation Of The Autonomous Woman Through A Hegelian Lens: A Comparative Study Of The British Fin De Siecle "New Woman" And The Post-Mao "Amazing" Woman, Robyn L. Buro
English Department Theses
This thesis utilizes the Hegelian concept of self-consciousness development to explore the formation of the autonomous woman within the New Woman movement of the British fin de siècle and the literature of women writers in 1980s Post-Mao China. The sexual figuration of the New Woman via an unremitting male gaze as well as the absence of individual awareness due to limited reflective self-assessment lead to a misrepresentation of the female figurehead in fin de siècle Britain. Through an in-depth study of literature by Charlotte Mew, Victoria Cross, George Egerton, and Thomas Hardy, the reader can identify key points of failure …
Letters To Mei Lanfang, Alexandra Dare Norman
Letters To Mei Lanfang, Alexandra Dare Norman
Mahurin Honors College Capstone Experience/Thesis Projects
As a male actor of female Dan characters, Mei Lanfang (1894-1961) is known throughout the world as the most representative performer of Chinese opera – particularly for his performance of Concubine Yu in the Peking opera Farewell My Concubine. A feminist analysis of his work in this opera reveals a series of assumptions about the definition of “Woman” in both theatre and life. This project is solo performance piece formatted in a series of open letters to Mei Lanfang, interspersed with personal stories investigating what it truly means to be a Woman – as an actor, a Christian, a feminist, …