East Asian Languages and Societies Commons^™

Acknowledgements/Image Credits, Molly Lynde-Recchia

Transference

No abstract provided.

Commentary On Translating Tao Yuanming And Li Shangyin, Andrew Gudgel

Transference

Notes by Andrew Gudgel on the translation of three Chinese poems into English.

Frost Moon And Autumn Arrives By Li Shangyin, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Cloudy Skies By Tao Yuanming, Andrew Gudgel

Transference

Translated from the Chinese by Andrew Gudgel.

Ryōan Temple Rock Garden By Murō Saisei, Michael Tangeman

Transference

Translated from the Japanese with commentary by Michael Stone Tangeman.

Selections From Man’Yōshū By Various Authors, John G. Peters

Transference

Translated from the Japanese with commentary by John Peters.

Gray Toad And Color Of The Season By Ōte Takuji, Dean A. Brink

Transference

Translated from the Japanese with commentary by Dean A. Brink.

Mona Lisa, A Deer, That Man, And The Night Of An Artificial Satellite By Murano Shirō, Goro Takano

Transference

Translated from the Japanese with commentary by Goro Takano.

The Banyan Tree, Untitled, To --, A Dried Flower--For Someone, Palace-Cave Mountain, And Nanmu Forest By Cai Qijiao, Edward A. Morin

Transference

Translated from the Chinese with commentary by Edward Morin, Dennis Ding, and Fang Dai.

Ribbons Of May, Fading, Green, And Angels Of The Sea By Sagawa Chika, Rina Kikuchi, Carol Hayes

Transference

Translated from the Japanese with commentary by Rina Kikuchi and Carol Hayes.

Foreword, David Kutzko, Molly Lynde-Recchia

Transference

Thoughts on the second volume by editors-in-chief David Kutzko and Molly Lynde-Recchia.

Transference Vol. 2, Fall 2014, Molly Lynde-Recchia

Transference

Transference is published by the Department of World Languages and Literatures at Western Michigan University. Dedicated to the celebration of poetry in translation, the journal publishes translations from Arabic, Chinese, French and Old French, German, classical Greek, Latin, and Japanese, into English verse. Transference contains translations as well as commentaries on the art and process of translating.

Of Ghosts And Spaceships: Reclaiming Chinese National Identity Through Science Fiction, Nicholas M. Stillman

Global Honors Theses

This paper examines the extent to which Chinese science fiction literature has played a role in the reframing of Chinese national identity as one that is based in scientific and technological development. Specifically, whether the recent push during a 2007 conference in Chengdu for increased science fiction consumption has resulted in more scientific development and more positivist science fictional literature.

The paper both evaluates the current state of science fiction in China and the potential impact of its narratives through an analysis of the historical context of the role of science fiction in China compared to the more modern usage …

Style Shifting In First-Encounter Conversations Between Japanese Speakers, Kenichi Shinkuma

Dissertations and Theses

This study examines style shift between formal and informal styles in first- encounter conversations between Japanese native speakers and demonstrates how the speakers shifted the speech style in the context. Many researchers have studied this type of style shift and demonstrated that style shifts occur within a single speech context where social factors, such as differences in age, status, and formalness remain constant (e.g., Cook, 2008; Geyer, 2008; Ikuta, 1983; Maynard, 1991; Okamoto, 1999). This study contributed support to these previous studies. In this study, both quantitative and qualitative analyses focusing on Japanese native speakers' use of style shifting in …

Commentary, Illustration, And Cross-Generic Writing In Paired Editions Of Xixiang Ji And Pipa Ji, Yinghui Wu

Arts & Sciences Electronic Theses and Dissertations

This study examines the reproduction and consumption of popular playsXixiang ji(The Story of the Western Wing) andPipa ji(The Lute) as a related pair in seventeenth-century China. During this period, a thriving economy and rapid urbanization stimulated the expansion of commercial publishing. A book market flourished with a bewildering variety of texts and pictures and inventive regroupings of existing materials. Seventeenth-century China has long been recognized as an age of individual creativity, with the elite literati as primary agents, but this study revises the picture by directing attention to the appropriation and transformation of the cultural ideal of "creativity" through the …

Science, Culture, And Modernity In Chengdu China June 4 - June 18, 2014, Sarah Bouchard, Paul Eisenstein, Jane Wu, Anna M. Young

Otterbein China Librarians Exchange Program Documentations and Publications

The trip taken by Sarah Bouchard, Paul Eisenstein, Jane Wu, and Anna Young to China was meant to increase ties between various Chinese universities and Otterbein University as well as taking a look at modern and traditional cultures within regions. Faculty members presented to members of the Southwest Jiaotong University and met with faculty members at the University of Shanghai Science & Technology, Shanghai Jiatong University, and Southwest Jiaotong University. The Otterbein faculty also visited Giant Panda research bases to establish relationships and potential internships for exchange students wanting to work with the Giant Pandas.

Also included is the budget …

K-Pop Or K-Death? The Mirrored Oppression From Hollywood In The 1930s, Molly Welsh

Student Scholar Symposium Abstracts and Posters

In the 1930s, the film industry in Hollywood set the standard of “Hollywood filmmaking” with its development of star-contracts so oppressive, actors would be trapped for years within them. However, the implications of creating such a star-system have far surpassed what William Hays believed he was doing in the 1930s. In South Korea, a big star-system still exists and in many ways, mirrors what the United States did in the 1930s. What is informally known as “K-Pop” is a label for the music industry that seeks to emulate western ideals not only in looks, but in practice. This system allows …

Needs Analysis And Curriculum Development Of Vocational Chinese For Ncs Students, Xiao Yan Qiu, Danping Wang, Hau Yee, Doris Lo, Ming Tak, Jackie Tsang

Practical Social and Industrial Research Symposium

No abstract provided.

Men And Masculinities In Contemporary China (Book Review), Wenqing Kang

History Faculty Publications

No abstract provided.

Situating A Badiouian Anthropocene In Hagiwara's Postnatural Poetry, Dean A. Brink

CLCWeb: Comparative Literature and Culture

In his article "Situating a Badiouian Anthropocene in Hagiwara's Postnatural Poetry" Dean A. Brink discusses the ecological dimension of the poetry of one of the founding voices in modern Japanese poetry, Sakutarō Hagiwara (1886-1942). Brink argues that Hagiwara developed a poetics characterized by engagements with nonhuman organisms and actants to situate the materiality of these actants in ways that diffuse the binary of "language" and "nature" and present a postnatural relationality that Bruno Latour describes. Drawing on the recent work of Alain Badiou, Brink explores materialist alternatives to representationalism—including the Lacanian triangle of the imaginary real and symbolic—by emphasizing human-nonhuman …

Ecocriticism And National Image In 舌尖上的中国 (A Bite Of China), Mingwen Xiao

CLCWeb: Comparative Literature and Culture

In his article "Ecocriticism and National Image in 舌尖上的中国 (A Bite of China)" Mingwen Xiao examines the multi-faceted contents of the popular 2012 television series. Instead of exhibiting delicacies made by professional chefs in luxury restaurants, A Bite of China displays local food and dishes made by ordinary people. By focus on every-day food preparation, the show constructs a performance where class, ethnicity, gender, age, and other social markers are blurred and the geographically and ethnically diverse ways of food preparation and consumption appear as a cohesive Chinese culinary identity. Xiao argues that A Bite of China plays a role …

Participatory Democracy In The Chinese Cyber World: Case Studies From Weibo, Duyi Li

Master's Theses

This thesis discusses features of citizen communication on Weibo, the Chinese social media platform, and its relationship to participatory democracy in China. Weibo is a complex social space due to the interplay of different forces and social actors. On the one hand, Weibo provides the space for bottom-up political participation: it expands the horizontal discursive space where plural discourses coexist and interact; provides a social sphere where counter-discourses are created; a space where the culture of resistance is formed; and serves as an alternative source for information. On the other hand, the vertical political control of the state, and the …

The Formation Of A Sacred Political Site : The Birthplace Of Mao Zedong At Shaoshan, Zhe Dong 1988-

Electronic Theses and Dissertations

Between 1949 and 1966, Mao Zedong’s cult of personality swelled into a kind of secular religion in China, and his birthplace, the remote village of Shaoshan, became a sacred site and s signal representative of national commemorative culture. This study rediscovers Shaoshan’s memorial projects undertaken during this period and explores how they embody the complex interplay between art/architecture and politics and the artistic tensions between rural and urban settings in post-Revolutionary China. The text focuses on four endeavors: the historic preservation of Mao’s Old House; the urban renovation plans advanced during the Great Leap Forward; the Exhibition Pavilion constructed by …

Three Dimensions Of Kant's Laws Of Nature, Youfeng Hu

Theoretical Studies in Literature and Art

In his critical philosophy, Kant defined the duality of nature and held nature to be a thing-in-itself that was unknowable in the metaphysical sense. From the perspective of epistemology, however, Kant confined nature into the phenomenal field, claiming the priority of man over nature through the artificial legislation for nature. The inconsistence between nature in phenomenal sense and in the thing-in-itself sense was obvious. In his Critique of Judgment, Kant reconsidered the interconnection between the two different concepts of nature through his re-explanation of nature from the teleological perspective, and he eventually put forward the proposition that nature generates itself …

Chinese Drama Writing And The Evolution Of The Drama Genre, Changji Li

Theoretical Studies in Literature and Art

The researches on Chinese drama style and the drama writing have much to be desired in the scholarship on ancient Chinese drama studies. This paper approaches the genre of Chinese drama from the perspectives of genetic and typological relationships, and it proposes that Chinese ancient drama form matures as the result of literati's integrating folk arts into the drama writing. In terms of narrative methods and structure, the paper analyzes the essential features of drama-prose style (xiwen) from the Southern Song to Yuan Dynasties, the plot-content style (guanmu) in the variety drama (zaju) and the legend style (chuanqi) in the …

The Pragmatic Path Of The Somatic Turn In The Western Aesthetics, Xiaohua Wang

Theoretical Studies in Literature and Art

Since the early 20th century, a somatic turn has presented itself as increasingly influential in the Western aesthetics. As the science of sensory recognition, it initiates a return to the body-subject and life-world. In this process, the contribution of pragmatism is prominent. Since Charles Peirce proposed the principle of practice, the perspective which values the body has been introduced. The endeavors of scholars like William James, John Dewey and Charles William Morris have all constructed the artistic-esthetic paradigm on the basis of body experience. From the 1980s onwards, scholars such as Richard Shusterman and Mark Johnson put forward and define …

"Organic Entity" And The Evolution Of Zhu Guangqian's Early Thought, Hongbing Zhou

Theoretical Studies in Literature and Art

The concept of "organic entity" is the foundation of Zhu Guangqian's early intellectual thoughts since 1927. This concept was repeatedly used from 1927 to 1944 in Zhu's work to observe, describe and interpret life and art, and it was also used as a dominant concept to re-examine the evolution of Western philosophy and science in the 19th and 20th centuries, and re-examine the Kantian-Crocian influence upon him for the construction of his own aesthetic theory of "artification of life." The researches on Zhu's concept of "organic entity" are generally superficial for their focus on his organic knowledge, which has not …

A Canon Of Fantastic Literature Studies: On Tzvetan Todorov's The Fantastic: A Structural Approach To A Literary Genre, Fang Tan

Theoretical Studies in Literature and Art

Fantastic literature is an important part of the world literature, and also one of the long-term concerns of the Western literary criticism, resulting in a large amount of works and studies. In his The Fantastic: A Structural Approach to a Literary Genre, Tzvetan Todorov defines from the perspective of the structuralist poetics the fantastic novels as a literary genre and tries to reveal the mechanism inherent in the genre. Although this book has been the subject of considerable controversy since its publication, it is still, because of its original and insightful views, a must-read canon for the study of the …

A Synopsis Of International Symposium On "Body Aesthetics And Contemporary Aesthetic Culture", Jiaxing Wang

Theoretical Studies in Literature and Art

No abstract provided.

On The Abstraction Of Modern Art And The End Of Art, Xiuyin Peng, Zhendong Wu

Theoretical Studies in Literature and Art

This paper aims at analyzing the abstraction as a method in the creative process of modern art. The paper argues that the reasons for abstraction may be attributed to two aspects. One aspect is the heteronomy from social modernity, and the other is the autonomy of the development of art itself. Since the birth of modern art, the meta-narrative of abstraction has been overdrawn through repeated transformations, which results in the claim of "the end of art." However, from a perspective not limited to the idea of progressiveness of art, art has not reached its end yet. Instead, art is …