East Asian Languages and Societies Commons^™

Writing With The Grain: A Multitextual Analysis Of Kaidan Botandoro, William D. Wood

Masters Theses 1911 - February 2014

As a text Botandōrō demonstrates bibliographic codes that straddle the border between modern and pre-modern literature. Wakabayashi would present his work as the fruit of his technique of ‘photographing language’ that, by extension, would provide closer and more direct access to the interiority of “author.” In his prologue he presented his shorthand method as a technique that would come to represent the new standard of modern writing. As they created a new system for transcribing language, stenographers were wrestling with the philosophical nature and limitations of language in spoken and written form, and their discoveries and accomplishments would provide a …

Kitahara Hakushū And The Creative Nature Of Children Through Dōyō, Gregory Diehl

Masters Theses 1911 - February 2014

In 1923, the poet Kitahara Hakushū wrote an essay entitled “Dōyō shikan” 童謡私観 or “Philosophy of Dōyō.” In it, he described a perspective on children that valued their innately creative potential. Hakushū felt that this potential was something that every child had and that could be enriched and drawn out through dōyō 童謡 (children's songs.) Hakushū’s views in this sense challenged the prevailing attitudes in the Taishō period toward children and toward the function that children’s songs and poetry should serve.

Despite Hakushū’s prominence as a poet, the “Dōyō shikan” has never been translated or closely analyzed in …

From Larva To Butterfly: Sophia In Ding Ling’S Miss Sophia’S Diary And Coco In Wei Hui’S Shanghai Baby, Xiaoqing Liu

Scholarship and Professional Work - LAS

Sophia and Coco are two characters in Ding Ling's Miss Sophia's Diary (1928/1995) and Wei Hui's Shanghai Baby (1999), respectively. Like a larva, Sophia, who enters society in the early twentieth century, is weak and immobile. Coco, who lives at the end of the twentieth century, is like a butterfly leading an outlandish lifestyle. The differences between Sophia and Coco reflect the achievement of official feminism, which liberated Chinese women from traditional patriarchal control in the social sense. However, gender issues for women remain unresolved. To fight against traditional patriarchy and especially challenge gender oppression in official feminism, both Sophia …

The National Imagination (Spring 2011), Robert D. Tobin, Beth Gale, Alice Valentine

Syllabi

What images make people think of the United States of America? Cowboys? The flag? And are there similar icons in other cultures that help define cultural identity? The National Imagination explores the concept of a national community as constructed and critiqued through literary and cinematic narratives, as well as other cultural texts.

Our underlying premise is that national languages and cultures promote the identity of particular communities. We are interested in examining those subjective expressions of culture—images, symbols, narratives—that lead people to feel that they are members of the communities we call nations. We are also interested in discovering points …

Writing The Love Of Boys: Origins Of Bishōnen Culture In Modernist Japanese Literature, Jeffrey Angles

Jeffrey Angles

Despite its centuries-long tradition of literary and artistic depictions of love between men, around late nineteenth-century Japan began to portray same-sex desire as immoral. This book looks at the response to this during the critical era of cultural ferment between the two world wars as a number of Japanese writers challenged the idea of love and desire between men as pathological. Angles focuses on key writers, examining how they experimented with new language, genres, and ideas to find fresh ways to represent love and desire between men. He traces the personal and literary relationships between contemporaries such as the poet …