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Full-Text Articles in East Asian Languages and Societies
“Inaesthetics” And The “Passion For The Real”: Alain Badiou On The Avant-Garde Art, Kaifeng Xia
“Inaesthetics” And The “Passion For The Real”: Alain Badiou On The Avant-Garde Art, Kaifeng Xia
Theoretical Studies in Literature and Art
Alain Badiou distinguishes between the didactic schema, classical schema and romantic schema in art, and further suggests that the avant-garde art does not create a new schema, but synthesizes the previous schemata into a didactico-romantic schema. Badiou strives to propose a new schema, the "inaesthetics" schema, which is both immanent and exclusive, that is, taking art as a truth-procedure. The inaesthetics schema is actually modeled around the avant-garde art, as Badiou believes that the avant-garde art embodies the "passion for the real" which implies two approaches of "destruction" and "subtraction." When Badiou attempts to combine these two approaches in his …
Cabaret Voltaire Or Kabarett Voltaire? Three Breakthroughs Of The Concept Gesamtkunstwerk, Duozhi Chen
Cabaret Voltaire Or Kabarett Voltaire? Three Breakthroughs Of The Concept Gesamtkunstwerk, Duozhi Chen
Theoretical Studies in Literature and Art
The birthplace of Dadaism in Switzerland is often simply translated into Chinese as “Voltaire Pub”. As an art salon, it actually finds its prototype in artists' pubs in Germany. The word “Cabaret” translated as “pub”, is also the general term for the entertaining variety shows therein,which originated in France. After its introduction into the German-speaking area, Cabaret became Kabarett and its cultural connotations and ways of presentations underwent great changes due to its collision with the avant-garde movement. Therefore, the simplified understanding of Cabaret as a pub downplays the significance of the Cabaret Voltaire in the history of modern art. …
The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli
The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli
CLCWeb: Comparative Literature and Culture
Magic Realism brings fantastic events into the frame of the narration. Yet it cannot quite be defined. At the very start of the process of definition, there is a question: Magic Realism is a mode of narration, or rather a post-colonial movement rising sociological issues alternative to the logic of power? The paper parallels and juxtaposes Latin American Magic Realism and the literary experience of Chinese literary Avant-garde in the 80s, similar apocalyptic thematic, but different narrative structures. Relating to the fictional universe of Can Xue and Yu Hua, the aim is to illuminate an exclusive mode to narrate history: …