Digital Humanities Commons^™

From Statement To Purpose: An Interview With Bill Siemering, Neil Verma

RadioDoc Review

This article is an interview between RadioDoc Review Editor Neil Verma and Bill Siemering, founding Director of Programming at National Public Radio and lifelong proponent of public radio. Siemering and Verma discuss Siemering's role at the founding of NPR, his earlymcareer in Wisconsin, WHYY Philadelphia, WBFO and KCCM, as well as his enduring work in community radio development in Africa.

The View From Somewhere: A Review, Robert S. Boynton

RadioDoc Review

Lewis Raven Wallace was fired from Marketplace for questioning the mainstream media's conception of journalistic neutrality. He developed his critique in his 2019 book, The View From Somewhere: Undoing the Myth of Journalistic Objectivity, a podcast of the same name, and in several ancillary products. Wallace concludes that “objectivity is a false ideal that upholds the status quo”, and news judgement has less to do with objective criteria than with “who controls the narrative, whose narratives matter, and how the appearance of mattering is created in a society rife with entrenched inequality”.

Editorial: Transnational Audio Storytelling: Writing The Common Language Of Sound, Laura Romero, Siobhan Mchugh

RadioDoc Review

Editorial on a special transnational issue of RadioDoc Review, curated by Dr Laura Romero and co-edited by A/Prof Siobhan McHugh. The issue features mainly sound-rich European works in languages other than English, critiqued by reviewers from four continents. It also showcases invited articles on mainstream podcasts, The Shadows (audio fiction) and Serial Season Three (crafted documentary) .

Pillow, Talk: Kaitlin Prest’S The Shadows And The Elements Of Modern Audio Fiction, Neil Verma

RadioDoc Review

This essay is a study of The Shadows (2018), a series produced by Kaitlin Prest and Phoebe Wang for CBC Podcasts. I situate the work in the framework of Prest’s career after her podcast The Heart, and argue that The Shadows crystallises a set of conventions about “audio fiction” that set it apart from “audio drama,” “radio features” and other similar forms, at least at this particular historical moment. These conventions include: the embrace of naive themes; a preference for retroversion or 'queer temporality'; a focus on body sound; multiplication in mixing and editing that comes across as a …

“Qualia”: The Subjective Qualities Of Sound As Experience Of The Self, Vanessa Ribeiro Rodrigues

RadioDoc Review

How do we construct the perception of the world and Others through sounds? How are we able to express the myriad of feelings inside ourselves into an intelligible structure in order to be understood? What is the amount of interference in the way we express those [translated] feelings? These are some of the subtle questions raised by “Qualia”, a five-episode radio feature by Spanish artist and performer Charo Calvo, aired in 2016 by ABC Radio National’s Soundproof show in Australia.

The name “Qualia” evokes the philosophical theory of an internal and subjective component of sense and mental perceptions, which are …