Fiction Commons^™

Con Cuydadosos Descuydos Descubiertos: Una Aproximación A La Obra De José Camerino En El Marco De La Novela Del Siglo Xvii, Beatriz G. Acrich Cohen

Dissertations, Theses, and Capstone Projects

When Cervantes publishes his collection of Novelas Ejemplares in 1613, he introduces a type of composition that lacked academic prestige and was not in any way regulated. Although Italian and Spanish writers had already dabbled with brief narrative fictions, it is the author of El Quijote who pushes the new genre in which he skillfully articulates the literary traditions. The success of his collection is immediate; numerous editions of his novellas in various Spanish cities are testimony of the bases which the author was setting, and he rapidly begins to be imitated. The readers enthusiastically receive and consume the short …

Madison Vanguard: A Novel, Berni Moestafa

Dissertations, Theses, and Capstone Projects

This capstone project takes the form of a popular fiction novel that introduces parts of the academic discussion on capitalism to a wider audience through storytelling. Using a fictional fiscal crisis in New York as its setting, the novel discusses the relationship between capitalism and democracy. It therefore aims to address the underrepresentation of the debate on capitalism in popular entertainment and raise awareness about some of the debate’s key issues.

Popular culture be that music, film, books, media, videogames or advertisement surround our lives and expose us to a plethora of messages that help shape our understanding of the …

Imaginary Subjects: Fiction-Writing Instruction In America, 1826 - 1897, Paul Collins

Dissertations, Theses, and Capstone Projects

Imaginary Subjects: Fiction Writing Instruction in America, 1826-1897 is a study of the confluence of commercial, educational, and aesthetic developments behind the rise of instruction in fiction-writing. Part I ("The Predicament of Fiction-Writing") traces fiction-writing instruction from its absence in Enlightenment-era rhetoric textbooks to its modest beginnings in magazine essays by Poe and Marryat, and in mid-century advice literature. Part II ("Fiction-Writing in the Classroom") notes the rise of fiction exercise from early Romantic-era primers upwards into mid-centuryhigh-school level textbooks, and from there into Harvard composition exercises; this coincided with an increasing emphasis by author advocacy groups on writing as …