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Articles 1 - 30 of 367
Full-Text Articles in Creative Writing
Spared The Technicolor, Peter C. Friedman
Spared The Technicolor, Peter C. Friedman
University of New Orleans Theses and Dissertations
No abstract provided.
T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya
T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya
Honors Thesis
The following thesis explores the work of T.S. Eliot before and after his conversion to the Anglican Church. While the paper explores the stylistic qualities of Eliot's poetry, the main focus of the essay lies in bridging the pre and post conversion works together in order to show that both of the periods were significant in the poet's life. While many critics viewed Eliot's early poetry as a lot more exploratory and challenging, calling his later poetry banal and bland, my essay aims to show that even though the poetry had shifted in its content, its significance, complexity, and experimentality …
"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic
"Persephone's Contemporary Dilemma: Consent, Sexuality, And "Female Empowerment." [2015], Cassandra Elizabeth Cerjanic
Master's Theses
Greek mythology never strays very far from Western imagination. Though every few years literature involving the infamous Gods tapers off into the back of our collective minds, a resurgence soon follows. The late Romantic literary movement (as popularized by Lord Byron, Percy Bysshe Shelly, and John Keats) depended heavily upon Greco- Roman mythology to help illustrate characters that existed somewhere between the shadow of imagination and the truth of humanity. Perhaps in an attempt to harken back to Romanticism, contemporary poetry has once again given life to the Greek Gods. Mythological characters can be seen throughout the works of modern …
Does This Happen To Everyone?, Bob De Smith
Living Texts, Mary Dengler
On Never Having Visited Mount Hermon, Rose Postma
East On Interstate 70, 10 Pm, David Schelhaas
Wave-Rider, Mary Dengler
Because I Want To Know God's Will, Rose Postma
Very Short Dream, David Schelhaas
When George Mcgovern Spoke In Chapel At The College, David Schelhaas
When George Mcgovern Spoke In Chapel At The College, David Schelhaas
Pro Rege
No abstract provided.
Cats And Dogs And Humans, Poem 11/23/2015, Charles Kay Smith
Cats And Dogs And Humans, Poem 11/23/2015, Charles Kay Smith
Charles Kay Smith
Thoughts on science, inequality and the economy
Ooliths, Estelle Mazor
Ooliths, Estelle Mazor
FIU Electronic Theses and Dissertations
OOLITHS is a poetry collection that challenges commonly held American values such as the sanctity of the family, the American Dream, the nobility of parenthood, and faith in God. Divided into eight sections, the collection follows the arc of childhood, adolescence, maturity and decline. Images of birds, crickets, the beach, the moon, and rainstorms anchor the poems to Miami’s natural habitat and to each other, while images involving music, sleep, raisins, coffee beans and eggs unite them in the realm of the domestic.
OOLITHS includes traditional forms such as sonnets, as well as nonce forms, prose poems, free verse and …
A Simple Question, Bret Lundstrom
Today, Everything Was Grey, Faith Schallert
Christmas Traditions, Jeffrey Yates
Taking Time To Remember, Bret Lundstrom
A Lovely Still Life, Bret Lundstrom
Mrs. Snow, Bret Lundstrom
Blanketed Mind, Bret Lundstrom
A Cornered Shadow, Bret Lundstrom
Ed, Hanna Hollis
A Letter, Taylor Johnson
Never Mind, Brigita Martin
Successful Contemplation, Bret Lundstrom
Perfection In Nature,, Jeffrey Yates
A Drink And A Thought, Bret Lundstrom
Flooding, Kristine Wagner
Crying, Kristine Wagner
Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry
Bodies Of Water: Somebody | Nobody (For E.D.), Clark Lunberry
English Faculty Research and Scholarship
On a pond adjacent to the University of North Florida’s Thomas G. Carpenter Library, parts of Emily Dickinson’s well-known poem about being a “Nobody” were recently written on the water. During the fall of 2014, the familiar words of that poem’s opening line – “I’m Nobody! Who are you?” – appeared to float upon the library’s pond, reflecting vividly in the light of day (yet disappearing entirely in the dark of night). While inside the library’s large open stairway, on the tall windows that face directly out onto that pond, the first line of the poem’s second stanza – “How …