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Full-Text Articles in Creative Writing

Paul Celan And The Processes Of Survival In Post-Shoah Jewish Writing, Ari Savage Apr 2024

Paul Celan And The Processes Of Survival In Post-Shoah Jewish Writing, Ari Savage

Theses

The following is a study of the poetry of Paul Celan as a representation of psychological and social processes present in the written works of Shoah survivors. It begins with an analysis of the place of writing in Jewish culture, then identifies three primary processes which operate in sequence: alienation, individuation, and integration. By examining Paul Celan’s highly personal and autobiographical texts in the context of his life experience as a Shoah survivor it is possible to discern the social and psychological forces at work which compel survivors to express their traumas in written form, and to gain a better …


Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne Sep 2023

Doc/U/Ment: Affinities In 20th And 21st-Century Documental Poetics, Katherine Payne

Dissertations, Theses, and Capstone Projects

This dissertation presents, analyzes, and builds on the existing literary genealogy of documental poetry. In 2020 Michael Leong proposed the term documental poetry to describe the turn toward source materials in 21st-century North American poetry, seen in longform research-based poems that explicitly incorporate documentation and seek to intervene in cultural memory. Using Ludwig Wittgenstein’s concept of family resemblance, I argue that there are clear affinities between 21st-century poets and their 20th-century literary forerunners, also that an expansion of the scope of documental poetics is needed. The three nodes of connection I examine are works …


Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany Jun 2022

Womanist Poetics: Emily Dickinson, Gertrude Stein, And Audre Lorde, Aya Telmissany

Theses and Dissertations

Today, the sentimentality associated with poetry is often condescendingly dubbed in a patriarchal society as “feminine poetry.” The first women poets who dared to attempt the pen were often met with attacks on their femaleness and harsh critiques of their writing which was likened to sorcery and witchcraft. Emily Dickinson, Gertrude Stein, and Audre Lorde are three American women poets who countered these attacks and turned them inside out in favor of their own womanist poetics. They wrote about experiencing the world as women and most importantly about experiencing poetry as women. What happens to poetry when a woman appropriates …


The Artist's Diary, Anamae Gilroy Jan 2022

The Artist's Diary, Anamae Gilroy

Senior Projects Spring 2022

Senior Project submitted to The Division of Arts of Bard College.


The Joy Of Listening: Three Voices In The Poetry Of Wisława Szymborska, Mimi Thompson Jan 2021

The Joy Of Listening: Three Voices In The Poetry Of Wisława Szymborska, Mimi Thompson

CMC Senior Theses

One of the greatest feats that a poet may achieve in his or her lifetime is to develop a voice so characteristic of themself, it would be impossible to confuse it with that of any other poet. Polish-speaking and non-Polish-speaking scholars alike have agreed that the voice of 1996 Nobel Laureate Wisława Szymborska is utterly distinct, despite the fact that her poems explore a wide range of topics and are told from multiple narrative perspectives, rarely featuring herself through any personal details. How, then, is it possible for hundreds of poems, each with their own narrator, to still be “heard” …


Self, Emily Aguayo May 2020

Self, Emily Aguayo

Graduate Theses and Dissertations

This is a translation of Dr. Erika Almenara’s complete published collection of poetry. The original publications span a period of over twelve years of work, with books published in 2006, 2008, and 2018. The first book of poetry in this series of translations, Reino Cerrado (Closed Kingdom), explores the profound contemplations of life and how to turn those thoughts into words and put them on paper. We see images of nature, hear faint religious overtones, and feel the distress of a woman searching for a healthy relationship, and having little luck. Para evitar los rastros (To Avoid All Traces), the …


Through The Scholastic Looking Glass: The Pedagogical Potential Of Textual Deformation For Poetic Studies, Taylor Dietrich Feb 2020

Through The Scholastic Looking Glass: The Pedagogical Potential Of Textual Deformation For Poetic Studies, Taylor Dietrich

Dissertations, Theses, and Capstone Projects

This thesis examines the pedagogical usefulness of the antithetical reading model of textual deformation for the study of poetic works. No formal pedagogical plan exists for the education of students in poetic studies through textual deformance. This thesis does not go as far as structuring one in its entirety. Rather, it surveys the digital humanities landscape, showing a collective affinity within a number of textual studies approaches that advocate for textual deformance as useful for interrogating texts, and aligns the overlapping symmetries within those working methodologies with pedagogical imperatives like those embedded in Ryan Cordell’s Kaleidoscopic Pedagogy Laboratory—the intent being …


Looking At Shadows: Four French Texts In English Translation, Kalena M. Hermes Jun 2019

Looking At Shadows: Four French Texts In English Translation, Kalena M. Hermes

World Languages and Cultures

This project present four French texts in English translation that share the theme of loss. This theme is perhaps one of the most poignant and relevant; loss is an experience that every human will encounter, and as people we continue across time to grapple with what it means for us and how to deal with it. These four texts will bring the perspectives of four authors to light in English. When we study how other countries and cultures deal with common human issues, we are able to gain new views on these issues. This project will make these texts accessible …


Póliza: A Bilingual Anthology Of Postmodern Peninsular Spanish Women Poets, Jacqueline Osborn May 2016

Póliza: A Bilingual Anthology Of Postmodern Peninsular Spanish Women Poets, Jacqueline Osborn

Honors Projects

Within this project I endeavor to translate a series of poems from seven postmodern female Spanish poets, exploring the challenges and idiosyncrasies of not only the migration between languages, but those specifically between Spanish and English as well as those particular to poetry translation. Of course, there are inherent limits to this process. Regarding the differences between English and Spanish, such difficulties as the presence of naturally reflexive verbs, neutral pronouns, more efficient nominalization of adjectives, and the greater presence of the subjunctive tense in Spanish arise. Respecting the problem of poetry, the structure, rhythm, and even the tone of …


T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya Dec 2015

T.S. Eliot: A Never-Ending Exploration, Kristina Krupilnitskaya

Honors Thesis

The following thesis explores the work of T.S. Eliot before and after his conversion to the Anglican Church. While the paper explores the stylistic qualities of Eliot's poetry, the main focus of the essay lies in bridging the pre and post conversion works together in order to show that both of the periods were significant in the poet's life. While many critics viewed Eliot's early poetry as a lot more exploratory and challenging, calling his later poetry banal and bland, my essay aims to show that even though the poetry had shifted in its content, its significance, complexity, and experimentality …


What The Fuck Is This?: Aesthetic Nature Of Being Or Ontology In The Poetry Of Gerard Manley Hopkins, Alexis Stephenson Jul 2015

What The Fuck Is This?: Aesthetic Nature Of Being Or Ontology In The Poetry Of Gerard Manley Hopkins, Alexis Stephenson

Graduate Theses and Dissertations

“What the Fuck is This?” examines the intersection of phenomenology and poetry arguing for an aesthetic nature of Being and focuses on how we know or experience the world instead of Cartesian absolutes. This subjective knowledge does not compete against objective knowledge but simply recognizes the use that poetic language has for communicating the subjective knowledge from experience of being as it unfolds for us. The major movements of the thesis focus on aesthetic objects, aesthetic intersubjectivity, and the aesthetic self. These are labeled “aesthetic” because a phenomenological methodology reveals a dialectic between that which is unfolding and that which …


Edna St. Vincent Millay: Artisan Of Violent Feminine Agency, Carolina Galdiz Apr 2014

Edna St. Vincent Millay: Artisan Of Violent Feminine Agency, Carolina Galdiz

Senior Theses and Projects

For decades, scholars have understood Edna St Vincent Millay in two fairly distinctive patterns as either a classical romanticist or ephemeral rebel. This dual reputation has been crafted from the obvious presence of natural imagery, sexual dynamism, feminine voice, and romantic yearning in her work. What critics have failed to see in her poetry are the potent sinister undertones that claim violence as a means to power. I will argue that Millay narrates the gendered struggle that takes place in this violence, in order to ultimately assert feminine agency in the process of forming a cultural identity. Thus, rather than …


A Close Look At Two Poems By Richard Wilbur, Jay Curlin Apr 1983

A Close Look At Two Poems By Richard Wilbur, Jay Curlin

Honors Theses

For the past three semesters, I have had the pleasure of studying the techniques of prosody under the tutelage of Dr. John Wink. In this study, I have read a large amount of poetry and have studied several books on prosody, the most influential of which was Poetic Meter and Poetic Form by Paul Fussell. This splendid book increased vastly my knowledge of poetry, and through it and other books, I became a much more sensitive, intelligent reader of poems.

The problem with my study came when I tried to decide how to in­corporate what I had learned into a …


The Orc Symbol In William Blake's Works, Michael James Finnigan Aug 1964

The Orc Symbol In William Blake's Works, Michael James Finnigan

Graduate Student Research Papers

A study of Orc, Blake's symbol for energy, suggests several different hypotheses. This paper intends to test the hypothesis that Orc is a force. With the use of illustrations and explications, Orc becomes more clearly a symbol of Blake's imaginative form. This energy will be seen at each level of Blake's visions, each different psychological stage, and at the highest level, poetic imagination. Thus, as the creator creates, the creation becomes the molded form of the creator's imagination.