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Full-Text Articles in Creative Writing
Editorial Literacy:Reconsidering Literary Editing As Critical Engagement In Writing Support, Anna Cairney
Editorial Literacy:Reconsidering Literary Editing As Critical Engagement In Writing Support, Anna Cairney
Theses and Dissertations
Editing is usually perceived in the pejorative within in the literature of composition studies generally, and specifically in writing center studies. Regardless if the Writing Center serves mostly undergraduates or graduates, the word “edit” has largely evolved to a narrow definition of copyediting or textual cleanup done by the author at the end of the writing process. Inversely, in trade publishing, editors and agents work with writers at multiple stages of production, providing editorial feedback in the form of reader’s reports and letters. Editing is a rich, intellectual skill of critically engaging with another’s text. What are the implications of …
"Peel It Back Slowly" And "Rolling Right Along": A Collection Of Body Horror Stories, Vincent Manta
"Peel It Back Slowly" And "Rolling Right Along": A Collection Of Body Horror Stories, Vincent Manta
Theses and Dissertations
Body horror, or any sort of horror story detailing grotesque changes in one’s body, has long been considered unworthy of academic discussion and critique. It was not until recently that genres like body horror that fall into the realm of “low culture” have actually been studied seriously. The two stories in this collection enter into dialogue with modern genre, film, and gender studies in an attempt to comment on the current state of body horror and how its tropes function in modern storytelling. Focusing these stories on interpersonal relationships allows the horrors of the body to take front and center …
“Peel It Back Slowly” And “Rolling Right Along”: A Collection Of Body Horror Stories, Vincent Manta
“Peel It Back Slowly” And “Rolling Right Along”: A Collection Of Body Horror Stories, Vincent Manta
Theses and Dissertations
Body horror, or any sort of horror story detailing grotesque changes in one’s body, has long been considered unworthy of academic discussion and critique. It was not until recently that genres like body horror that fall into the realm of “low culture” have actually been studied seriously. The two stories in this collection enter into dialogue with modern genre, film, and gender studies in an attempt to comment on the current state of body horror and how its tropes function in modern storytelling. Focusing these stories on interpersonal relationships allows the horrors of the body to take front and center …