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Articles 1 - 6 of 6
Full-Text Articles in Creative Writing
Private Rainbows, Mikey F. Estes
Private Rainbows, Mikey F. Estes
Theses and Dissertations
I make art that refers to how the self is mediated through structures, objects, and images — a kind of self-portraiture that circles around its subject, reflecting a state of simultaneous formation and disintegration. Over the past few years, I have used my iPhone as a tool to make images of everyday life. As the user of this device, I am defined by both my presence and absence. I am interested in the process of locating the self within the scattered yet ordered space of the screen.
Care Forgotten, James M. Norris
Care Forgotten, James M. Norris
University of New Orleans Theses and Dissertations
No abstract provided.
Microaggressions Within The Lgbtq+ Community: An Autoethnography, Erika A. Perez Montes
Microaggressions Within The Lgbtq+ Community: An Autoethnography, Erika A. Perez Montes
Capstone Projects and Master's Theses
This autoethnography is about different points in my life where I committed microaggressions towards the LGBTQ+ community specific to different genders, sexual orientations and/or how people in the community present themselves. I use “thick intersectionality” ‒ an embodied exploration of the complex particularities of individuals’ lives and identities associated with their race, class, gender, sexuality, and national locations ‒ as a means of portraying my message, voicing the emotions that I felt, and the identity I occupied at that moment. I show that the intersectionalities of queer folks’ identities create unconscious microaggressions towards other queer folks. The purpose of my …
The Way We Dream Now: History, Theory, And Lgbtq Memoir In America, Megan Paslawski
The Way We Dream Now: History, Theory, And Lgbtq Memoir In America, Megan Paslawski
Dissertations, Theses, and Capstone Projects
This dissertation examines American memoirs written after 2000 by lesbian, gay, bisexual, transgender, and queer authors with an eye to how the recent institutionalization of queer theory and the open production of LGBTQ histories affect these writers’ conceptions of their lives, aspirations, and cultures. I argue that these memoirs, sometimes consciously, find themselves struggling with what are also competing ideas within queer theory about the queerness of futurity even as they turn to the past of queer/trans literature and history to bolster their senses of possible identities and communities. This often has the effect of positioning contemporary LGBTQ writers as …
Tracing Writer/Reader Identity In, And In Response To, Queer Latinx Autohistoria-Teorìa, Corrina Wells
Tracing Writer/Reader Identity In, And In Response To, Queer Latinx Autohistoria-Teorìa, Corrina Wells
Cal Poly Humboldt theses and projects
This project examines how diverse representation changes the discourse around queer latinx identities. This project extends theories of representation that show how a text changes the imaginary of the reader through a two-part methodology. First, through explicating Spit & Passion and A Cup of Water Under My Bed, this project examines how these texts construct a readers’ imaginary. Then, through a corresponding qualitative assessment on readers’ responses to the texts, this project identifies the extent to which the texts change the beliefs and understandings of a small group of students. Articulating an ecology of identity using the texts under examination, …
Black Lives Examined: Black Nonfiction And The Praxis Of Survival In The Post-Civil Rights Era, Ariel D. Lawrence
Black Lives Examined: Black Nonfiction And The Praxis Of Survival In The Post-Civil Rights Era, Ariel D. Lawrence
Theses and Dissertations
The subject of my thesis project is black nonfiction, namely the essay, memoir, and autobiography, written by black authors about and during the Post-Civil Rights Era. The central goals of this work are to briefly investigate the role of genre analysis within the various subsets of nonfiction and also to exemplify the ways that black writers have taken key genre models and evolved them. Secondly, I aim to understand the historical, political, and cultural contributions of the Post-Civil Rights Era, which I mark as hitting its stride in 1968. It is not my desire to create a definitive historical framework …