Creative Writing Commons^™

Who Is You? Identifying "You" In Second-Person Narratives: A Systemic Functional Linguistics Analysis, Davina Kittrell

Theses, Dissertations and Capstones

In narratives, characters are introduced to readers through the use of textual clues left by the author. These clues, often in the form of pronouns, enable the reader to follow the various characters involved throughout the story. Pronouns have no lexical content and are used as referential devices, guiding the reader through the story and helping them recover the identity of the story’s characters. However, some narratives employ a literary technique in which the story’s protagonist is introduced by the pronoun “you” with no previous textual information given. As a result the pronoun “you” is assumed to be exophoric, pointing …

Approaches To Life Narrative: A Scholarly And Creative Thesis, Tanya Bomsta

Theses, Dissertations and Capstones

This thesis includes both scholarly and creative approaches to women’s life narrative and rhetoric. The author first analyzes Terry Tempest Williams’ recently published memoir, When Women Were Birds: Fifty-Four Variations on Voice, through the lenses of writing and rhetorical theory. She examines how Williams’ hybrid genre negotiates the boundaries between journaling and autobiographical writing and between silence and voice. She argues that Williams employs a feminist rhetoric in her writing in order to negotiate these boundaries.

The second and third works are personal essays in which the author examines her journals and her marriage. These creative works meditate on the …

Impossible Storyworlds And The (Unnatural) Narrative Of Arthur Gordon Pym, Mitchell C. Lilly

Theses, Dissertations and Capstones

The following thesis defends reading Edgar Allan Poe’s The Narrative of Arthur Gordon Pym as an early example of an “unnatural narrative” in American literature. Adapting unnatural narrative theory, a recent area of study in narratology developed to analyze the existence of unnatural storyworlds, minds, and acts of narration prevalent in postmodern fiction, this thesis analyzes the unnatural dynamics at play in Pym’s storyworld and storytelling that do not comply with what the reader knows is otherwise physically, logically, or humanly impossible in the physical world. Legitimating Poe’s novel as a work of unnatural narrative coincides with arguing how the …