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Full-Text Articles in Creative Writing
The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore
The Return Of The Dead: Resurrecting Chappell's Family Gathering, Jonathan Moore
Master's Theses
This thesis examines Fred Chappell’s virtually overlooked collection of poetry Family Gathering (2000), and how the poems operate within the mode of the grotesque. I argue that the poems illuminate both the southern grotesque and Roland Barthes’s theory of photography’s Operator, Spectator, and Spectrum. I address Family Gathering as a family photo album full of still shots, snapshots, and even selfies, which illumines how Chappell’s use of the grotesque in this collection derives more from its original association with visual arts rather than only depicting the grotesque typically associated with characteristics deemed explicitly shocking or terrifying. I argue that …
The Scripture Of Helices, Jessica M. Ramer
The Scripture Of Helices, Jessica M. Ramer
Master's Theses
This thesis comprises poems written during my two years of study for the Master of Arts Degree in English with a creative writing emphasis. The majority of the poems are written in either a received or contemporary form, although a substantial minority are written in free verse. Many of the poems deal with extreme circumstances such as combat and imprisonment. Others address family stresses due to birth, death, remarriage, and clashes of values. Some poems have a religious emphasis while others are firmly rooted in the natural world. All, however, are explorations of human nature.
Because A Fire, A Lover's Quarrel: Poems, Clifton Clyde Ward
Because A Fire, A Lover's Quarrel: Poems, Clifton Clyde Ward
Master's Theses
This thesis comprises poems written and/or revised over the past two years. They mark the development of my aesthetic and writing ability thus far and are representative of the training and practice incited by my own efforts and those of my professors during my enrollment in the Master of Arts degree in English, Creative Writing emphasis. The majority of these poems are written in an open form, and all of them fall under three general categories: autobiographical, absurdist, or formal.