Creative Writing Commons^™

What We Do Not Perceive When We Perceive It, Hannah Jane Trammell

English Theses & Dissertations

The thesis herein attempts to traverse, overcome, and, ultimately subsume back into the conventions of such genres as science-fiction, fabulism, surrealism, romance, horror, and speculative fiction. The primary tool used for this purpose is a great bag of hot, sparking meat caught between two ears and a thick skull. A few notebooks, pens, and a laptop might also have helped in this pursuit. The stories and poems contained herein are works of fiction inspired by non-fictional systems of feeling. Using all the tools given to me by my professors and the craft and theory books I read during my coursework …

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

Knowing God In William Blake: A Study To Find Meaning In His Work Through Plato, Swedenborg, And Mystical Tradition, David B. Gabel

Institute for the Humanities Theses

This project takes a look into the philosophical and theological sources found in the work of William Blake as they culminate in his epic poem Jerusalem. This study includes an examination of the philosophies of Plato and Emanuel Swedenborg, the mystical pathway, the Jewish mystical tradition known as Kabbalah, and finally an examination of the works of Blake himself. We work from a three-fold premise: 1) that mystical experience occurs, 2) that archetypes exist in the collective unconscious, and 3) that these archetypes can be known through intuition and mystical experience. The focus is on those elements which are characteristic …