Creative Writing Commons^™

Sexuality, Desire And The Ageing Female Body: An Essay, Lauren Marsh

Theses: Doctorates and Masters

This thesis consists of a novella, ‘One Night in Hong Kong’, and an essay, ‘Sexuality, Desire and the Ageing Female Body.’ The novella tells the story of an erotic affair between the female narrator and a man in a hotel room in the neon city of Hong Kong. Told in four parts, the story shifts in time, reflecting on earlier events in the narrator’s life and a trip she made to the Sicilian city of Catania in 1954.

Older female protagonists and their sexuality are rarely depicted in contemporary Australian fiction. Where representations do exist, they act as ‘interventionist’ texts, …

Maps For The Lost: A Collection Of Short Fiction And Human / Nature Ecotones: Climate Change And The Ecological Imagination: A Critical Essay, Susan Heather Greenhill

Theses: Doctorates and Masters

The thesis comprises a collection of short fiction, Maps for the Lost, and a critical essay, “Human / Nature Ecotones: Climate Change and the Ecological Imagination.” In ecological terms, areas of interaction between adjacent ecosystems are known as ecotones. Sites of relationship between biotic communities, they are charged with fertility and evolutionary possibility. While postcolonial scholarship is concerned with borders as points of cross-cultural contact, ecocritical thought focuses upon the ecotone that occurs at the interface between human and non-human nature.

In their occupation of the liminal zones between human and natural realms, the characters and narratives of Maps …

The Historian’S Daughter (A Novel); Monsters And Memory (An Essay), Rashida Murphy

Theses: Doctorates and Masters

This thesis comprises two parts, a novel and an essay. ‘The Historian’s Daughter’ is a work of fiction based on family memories and historical research that speaks to the trauma of abandonment and displacement in an immigrant family living in Australia. The accompanying essay is titled ‘Monsters and Memory’ and is an autoethnographical text which combines theoretical, experiential and embodied research to argue that the inclusion of women’s stories, particularly those of trauma and abuse, must be foregrounded in any exploration of cultural and diasporic memory. Drawing primarily on the work of Said (1978, 1993, 1999, 2001), Bhabha (1990, 1994), …