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Full-Text Articles in Creative Writing

Mourning Eros: Hieroglyphic Love And Loss In H.D.'S Helen In Egypt, Shauna Karine Dorotich Jan 2009

Mourning Eros: Hieroglyphic Love And Loss In H.D.'S Helen In Egypt, Shauna Karine Dorotich

Theses : Honours

H.D. and Lacan both articulate a philosophy of love that exists beyond the sexual relationship. This thesis highlights the concordance between their later writings on love, with a specific focus on Lacan's Book xx; On Feminine Sexuality, the Limits of Love and Knowledge, 1972 - 1973 (Encore), and H.D.'s Helen in Egypt. Initially, I address the paradox of erotic love to explicate the way fantasy results in the death of the woman within the sexual relationship. I then argue that a subject must experience a phase of mourning the fantasy of erotic love in order to progress to …


Dancing On The Edge Of Silence : Steps Towards Articulating The Experience Of Childhood Rape, Brenda Joy Downing Jan 2008

Dancing On The Edge Of Silence : Steps Towards Articulating The Experience Of Childhood Rape, Brenda Joy Downing

Theses : Honours

The experience and aftermath of male sexual violence is a lived reality for many girls and women. This qualitative study explores the subjective experience of childhood rape and its long-term impact focusing in particular on the implications of the silencing that continues to surround what is a deeply-felt and traumatic experience with profound life-altering consequences. The study thematically and theoretically reads the subjective experience of childhood rape within current feminist understandings of rape as a crime of violence and form of social control through the use of evocative autoethnographic writing and an exegesis.


Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton Jan 2004

Visions Must Be Re-Visioned : Gender Politics In Earthsea, Audrey Barton

Theses : Honours

This thesis analyses Ursula Le Guin's interpretation of gender and genre in her Earthsea novels, A Wizarf of Earthsea (1968) and Teha1111 (1990). Examining Le Guin's assertion for the need to "re-vision" her former work with the latter, I interrogate the ways in which she attempts to "break free" from the ideologies that impose themselves upon her work. Part one explores the mode of the hero quest used in A Wizard of Earthsea and examines the significance of this in terms of "gendering" the text. Part two examines the revisioned text Tehanu and the ways in which the …