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Creative Writing Commons

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Full-Text Articles in Creative Writing

..., Claire Alfonso May 2022

..., Claire Alfonso

Undergraduate Honors Theses

Words are fickle, easily misunderstood, and often put us at a loss... but we all have so much we feel we need to express. This begs the question: Is there any safe way of communication? Can anything ever really be communicated how you mean it? Will you ever see the reflection of what you feel, think, and dream outside of yourself? In response to this existential dilemma, I imagine an alternative language of images, sounds, color, feelings, and non-identification. My thesis is a meditation on the issues with standard language and the idea of alternative language. In my argument I …


Aletheia: The Orphic Ouroboros, Glen Mcknight Jan 2020

Aletheia: The Orphic Ouroboros, Glen Mcknight

Theses : Honours

This thesis shows how The Orphic Hymns function as a katábasis, a descent to the underworld, representing a process of becoming and psychological rebirth. I begin with the Greek concept of sparagmόs, a dismemberment or deconstruction, as a necessary precursor in that it emphasises at once both primordial unity and yet also the incipient tensions within the Orphic initiates on this path to katabasis. The argument herein extends beyond literary explication to consider how the Orphics sought to enact this process in Greek society itself.

The thesis then establishes the connections between the Hymns and the thinking of …


Double/Cross: Erasure In Theory And Poetry, John Nyman Jun 2018

Double/Cross: Erasure In Theory And Poetry, John Nyman

Electronic Thesis and Dissertation Repository

This dissertation investigates the implications of overt textual erasure on literary and philosophical meaning, especially with reference to the poststructuralist phenomenological tradition culminating in the work of Jacques Derrida. Responding both to the emergence of “erasure poetry” as a recognizable genre of experimental literature and to the relative paucity of serious scholarship on Derrida’s “writing under erasure,” I focus on twentieth- and twenty-first-century literary and philosophical works in which visible evidence of erasure is an intended component of the finished (i.e., printed and disseminated) document. Erasure, I argue, performs a complex doubling or double/crossing of meaning according to two asymmetrically …