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Full-Text Articles in Creative Writing
You Were There : An Exploration And Analysis Of The Filmmaking Process, Regan Emfinger
You Were There : An Exploration And Analysis Of The Filmmaking Process, Regan Emfinger
Honors Theses
This thesis explores the process of writing, shooting, and editing my short film You Were There. My process involved scriptwriting with several revisions, shooting with a cast and crew, and editing the raw footage. This paper will not only serve as a timeline leading up to the final product of the film but also will explain the function of each artistic choice. This paper will also outline the biggest lessons I learned about fictional narratives, and discuss the successes and failures of the film as a whole. I also plan on discussing how those lessons will further my academic and …
The Marduk Archives: A Take On Thresholds, Christopher Melton
The Marduk Archives: A Take On Thresholds, Christopher Melton
Honors Theses
A fictional screenplay exploring the relationship between absurdity and convention as it pertains to the shifting cultural paradigms of our society. (Under the direction of Beth Spencer)
Crafting Fear: The Horror Film Trailer, Courtney Dreyer
Crafting Fear: The Horror Film Trailer, Courtney Dreyer
Honors Theses
My research project investigates horror film trailers in an effort to define the characteristics of this genre and discuss its ideological implications. Focusing on theatrical trailers for American wide-release horror films between 2013 and 2017, I closely viewed a sample of forty trailers to inform my investigation. Horror trailers create an intense emotional experience of both dread and fear, tending to follow a similar narrative structure and employ a common set of stylistic techniques to achieve this emotional intensity. The shared stylistic techniques include elements such as tight framing, innocent imagery, and genre misdirection. The repetition of these elements promotes …
Desecrate: An Original Feature-Length Screenplay, Justin Zorn
Desecrate: An Original Feature-Length Screenplay, Justin Zorn
Honors Theses
The basis of this creative project was to construct a feature-length, three-act screenplay in the mold of both the American Western genre and the modern road epic. The “road” genre, a staple of American cinema, is form of story in which one or two characters are confronted by situations that put them on journeys of Odysseus-like proportions during which they must overcome some fundamental issues in their respective lives. Following the examples of mainstream road epics such as Steven Spielberg’s Saving Private Ryan (1998) and the Cohen brothers O Brother, Where Art Thou? (2000), my screenplay incorporates the same three-act …