Creative Writing Commons^™

The End Of The Known World, Madeline Thomas

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This thesis forms the foundation for a poetry chapbook infused with Norse mythology and pain. It builds itself on two distinct strands. In the first, I reclaim the story of Hel, goddess of death, and attempt to humanize a figure historically branded as monstrous. Her life forms a narrative line through the collection that attempts to capture the whimsy and horror in myth. Intertwined with the goddess are poems centered around a contemporary speaker who suffers from chronic migraine, an autoimmune disease, unexplained tachycardia, and OCD. The poems in this personal strand vary heavily in both form and content but …

Portrait Of Rich County, Adrian Thomson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Portrait of Rich County presents the small town of Randolph, Utah in poems describing its wildlife, recreational activities, and the perspectives of citizens in the contemporary rocky mountain west. Special attention to the imagination of the poems’ speaker toward the more dreamlike qualities of Rich County establishes itself throughout, in order to convey a feeling of hope within harsh terrain. This collection examines the theme of salvaging items not often considered, such as rusted junk, ancient houses, or roadside garbage, both in the actions of the speaker and through the act of naming these items upon the page. An over-arching …

A Collection For A Better Misunderstanding, Mark Smeltzer

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

What if being understood becomes even more dreadful than being isolated? This collection of poetry stands between two extremes, using form and language to reflect the struggle of living on a continuum between being understood and being alone. By echoing the direct style of poets like Charles Bukowski and Mark Strand, as well as more abstract figures like May Swenson and Sylvia Plath, this collection asserts that the contradictions we carry can coexist, and even complement one another. Part One features original poetry that relies on the senses to recover old memories. A direct style in Part One seeks to …

Harvest: Poems, Brittney Allen

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Louise Glück wrote, “the actual making of art is a revenge on circumstance.” The risk, she goes on, is in the possibility of shame. Writing poetry then becomes an act of courage, purchased with sacrifice or loss. “Courage, in this usage, alludes to a capacity for facing down the dark forces.”

In Harvest, a poetry chapbook, the speaker takes revenge on the circumstances of her life by being blunt, bare, and brave on the page. She contends with a male-dominated society and abusive childhood as she moves into adulthood and the supposed saving grace of a marriage. The speaker confesses …