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Creative Writing Commons

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All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Theses/Dissertations

2021

Articles 1 - 3 of 3

Full-Text Articles in Creative Writing

Where Light Greets Night: A Modern Retelling Of "The Sea-Hare", Kelsie Peterson May 2021

Where Light Greets Night: A Modern Retelling Of "The Sea-Hare", Kelsie Peterson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Set in the Pacific Northwest, this contemporary retelling of the Brothers Grimm’s traditional tale sees a tower as a lighthouse, a princess as a keeper, and suitors as candidates for her replacement. The critical introduction of this thesis discusses the idea of “telephoning the narrative” and establishes the importance of modern fairy retellings. With an in-depth examination of binaries within the traditional tale and how they are handled within the retelling, the introduction sets the stage for the way “Where Light Greets Night” works to blur such black and white ideas. This tale also seeks to question judgment and bias …


Portrait Of Rich County, Adrian Thomson May 2021

Portrait Of Rich County, Adrian Thomson

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Portrait of Rich County presents the small town of Randolph, Utah in poems describing its wildlife, recreational activities, and the perspectives of citizens in the contemporary rocky mountain west. Special attention to the imagination of the poems’ speaker toward the more dreamlike qualities of Rich County establishes itself throughout, in order to convey a feeling of hope within harsh terrain. This collection examines the theme of salvaging items not often considered, such as rusted junk, ancient houses, or roadside garbage, both in the actions of the speaker and through the act of naming these items upon the page. An over-arching …


A Collection For A Better Misunderstanding, Mark Smeltzer May 2021

A Collection For A Better Misunderstanding, Mark Smeltzer

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

What if being understood becomes even more dreadful than being isolated? This collection of poetry stands between two extremes, using form and language to reflect the struggle of living on a continuum between being understood and being alone. By echoing the direct style of poets like Charles Bukowski and Mark Strand, as well as more abstract figures like May Swenson and Sylvia Plath, this collection asserts that the contradictions we carry can coexist, and even complement one another. Part One features original poetry that relies on the senses to recover old memories. A direct style in Part One seeks to …