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Creative Writing Commons

Open Access. Powered by Scholars. Published by Universities.®

University of Nevada, Las Vegas

2014

American literature

Articles 1 - 3 of 3

Full-Text Articles in Creative Writing

Objects In Mirror Are Closer Than They Appear, Jean Ho May 2014

Objects In Mirror Are Closer Than They Appear, Jean Ho

UNLV Theses, Dissertations, Professional Papers, and Capstones

The short stories in this collection move between two women, Fiona and Jane, who were close friends as teenagers but drift apart in their twenties. The women find each other again, later in life, and ease into an unsettled truce. As a writer I am interested in questions of gender and sexuality, race and ethnicity; in these stories, I have tried to explore the intersections of these identities through Fiona and Jane's lives in Los Angeles and New York, and the histories of their families in Taiwan.


A More Perfect World, Amy Katherine Mayo May 2014

A More Perfect World, Amy Katherine Mayo

UNLV Theses, Dissertations, Professional Papers, and Capstones

A More Perfect Worldis the story of Gabriel Garcia Levine Connolly, an intelligent, charismatic, and idealistic man who invents "Thing," which quickly becomes indispensable to virtually everyone in the world. His new-found wealth presents him with the opportunity to create a community that suits his values and his creative process, taking several friends and co-workers with him. Their search for a new home leads them to the idyllic island of Luu Saabhel; for Gabe, the opportunity to protect this small island and its indigenous people while creating "a more perfect world" for his own community is the ideal situation.

The …


All Is Ripe For Fire, Dana Marie Killmeyer May 2014

All Is Ripe For Fire, Dana Marie Killmeyer

UNLV Theses, Dissertations, Professional Papers, and Capstones

All is Ripe for Fire is a two-part lyrical meditation that captures the world of the unnamed speaker who is visited by the image of a woman, such as the one who appears in the very first poem, "The Unnamed," which begins with an invitation to reader: "Let us look at the French woman's hand touching the flame to her sleeve." However, no sooner is the reader's attention drawn to the woman's hand, the flame, and then to her sleeve, than the image of the woman is gone entirely. In a matter of a few words, the figure of the …