Creative Writing Commons^™

Pause And Possibility: Pre-Service Teachers’ Perspectives On Creative Writing Clubs, Stephanie Altier

Honors Projects

Creative writing clubs can enrich the lives of writers and facilitators. These clubs provide many opportunities to enrich their members’ academic, social, and personal development (Clifton, 2022; Siskel & Jacobs, 2011; Lawton, 2021). This project uses a focus-group study of five pre-service Integrated Language Arts teachers to explore the teachers' perspectives on advising creative writing clubs. Their insight informs a web-based teacher resource, Creative Writing Club Hub. Major findings are that participants harbor low self-efficacy towards creative writing and that the most effective method for encouraging them to advise these clubs may be to create a creative writing community …

Engl 352: Intermediate Fiction Writing—A Peer Review Of Teaching Project Benchmark Portfolio, Chigozie Obioma

UNL Faculty Course Portfolios

Absent the elements of effective writing, there has been a strong debate on whether or not other aspects of creative writing can be taught. Many practicing writers like myself who teach have concluded that a student writer can be guided towards fully actualizing their talent, and this “guidance” is what mostly constitutes teaching. How then do we evaluate the effectiveness of this teaching, and to what extent do students’ individual talent help or stand in the way of effective instruction? How do we plan various learning outcomes and test the success of such strategies over the duration of the ENGL …

Teaching Creative Writing In The Age Of Common Core, Casey Unverferth

Honors Projects

The core of my honors project includes a 12-day unit plan for teaching creative writing in the form of narratives. I created lessons for 12 days, created the materials needed for each day, and created a website where my work has been displayed for my future classroom. The website link is: teachcreatewrite.weebly.com. All materials for the unit plan are broken down by day, and I chose to expand upon 3 days in a short lesson plan template.

Endings: What Can You Teach?, Julie Patterson

Articles

Our writer-in-residence shares strategies for crafting the perfect ending to a story.

Beginnings: 3 Examples (And Why They Work), Julie Patterson

Articles

Our writer-in-residence helps us look closely at the beginnings of three short stories.

Hold Readers At A Climax, Julie Patterson

Articles

Our writer-in-residence says: A climax is long. In fact, it's a place to hold readers.

4 Craft Strategies To Notice In The Leaving Morning (And Why), Julie Patterson

Articles

What can you learn about writing from a picture book? Lots!

Interactive Bulletin Boards That Support Writing, Julie Patterson

Articles

Great writing instruction = student created bulletin boards. Here are some ideas.

Assessing A Young Writer’S Story, Julie Patterson

Articles

Now that's a story! Find out what this 1st grader is doing well and what our writer-in-residence would teach next.

5 Things Writing Workshop Teachers Want Parents To Know, Libby Duggan

Articles

When I was teaching, I wanted parents to know how to support the work that we were doing in the classroom. Perhaps most importantly, I wanted to be sure that what students were told about their writing at home was consistent with what I taught in the classroom. So with that in mind, I've assembled an article that you can share with families: "5 Things Writing Workshop Teachers Want Parents to Know."

Feed Your Writer’S Notebook This Summer, Julie Patterson

Articles

Summer is a great time to tend to your writer's notebook. You can "stock up" on notebook entries that will support your mini-lessons during the school year. Not sure what to write? Here are some notebook strategies to help fuel your inspiration.

6 Ways To Celebrate Student Writing, Susan C. Adamson

Articles

Susan Adamson, executive director of the Indiana Partnership for Young Writers, shares a few of her favorite strategies for celebrating student writing at the end of a unit of study.

Blazing The Real: Writing By Indiana Children, Susan C. Adamson, Julie Patterson

Anthologies

I got my first camera when I was in third grade—a Brownie Hawkeye flash model with a snazzy little camera case. The instruction manual provided six simple steps for taking successful pictures.

Hold the camera steady, supporting it underneath. Then, with the sun behind your back or over your shoulder, locate the subject in the finder. At the instant of exposure, hold your breath and press the shutter release with a gentle squeezing action (Brownie Hawkeye Instruction Manual).

The camera came with two rolls of film, each with16 frames. I eagerly used them up and sent the exposed film off …