Creative Writing Commons^™

Why Intersectionality In Fiction Matters, Grace L. Dillon

Indigenous Nations Studies Faculty Publications and Presentations

In lieu of an abstract, here is an excerpt:

Indigenous peoples often say that from maewizhah, or time immemorial, we have gazed upon ae-iko-dawo-dunnauk-mishi-geezhik and created stories that are maumikaud-kummik. In other words, throughout our histories, Native peoples have looked to the heavens, pondered the universe, and composed fantastical tales that, translated literally, are “out of this world.”

This is the very definition of speculative fiction.

To us, storytellers are artists and medicine people who provide mishkiki: medicine, healing, and sometimes even solidarity — or, as we say in Anishinaabemowin, inauwinidiwin, which means collectively becoming a …

Translator Of Soliloquies: Fugues In The Key Of Dissociation, Seo-Young J. Chu

Publications and Research

Chu, Seo-Young. “Translator of Soliloquies: Fugues in the Key of Dissociation” (chapbook). Black Warrior Review 46.2, Spring 2020.

Nicole Sumida And Alex Yu Interview, Laraib Malik

Asian American Art Oral History Project

Bio: Nicole Sumida is a co-founder and co-publisher of Riksha Magazine, an online magazine featuring creative work by and about Asian Americans. Alex Yu is a co-publisher of Riksha and both have been involved in community arts organizing since the 1990s in Chicago.

“Riksha provides a space for capturing the Asian American experience through compelling writing, commentary, and artistic expression. We curate an online magazine that presents poetry, fiction, non-fiction, fine arts, and video and audio pieces. We also comment on and curate the bric-a-brac and ephemera of Asian American life.”

Mary Grace Bertulfo Interview, Serena Offord

Asian American Art Oral History Project

Bio: Mary Grace Bertulfo lives and writes at the intersection of nature, culture, and spirituality. She has written professionally for television and children’s education in such venues as CBS, Pearson Education Asia, and Schlessinger and for conservation magazines such as Sierra and Chicago Wilderness. Her award-winning fiction has appeared in Growing Up Filipino II, Our Own Voice, and The Oak Parker and her essays have appeared in various anthologies. She is a co-owner of Calypso Moon Studio, a working arts studio, in the Oak Park Arts District. Mary Grace is a member of the international N.V.M. and Narita …

End Of The Universe 12/21/12 For My Father, Stephanie A. Sellers

Women, Gender, and Sexuality Studies Faculty Publications

This poem and its accompanying introduction address the 2012 EuroAmerican-settler hysteria over their misreading of the Mayan nation’s 13^th Ba’k’tun (cosmic calendar) expiring. At the core of indigenous cultures is the ethic of continuance, life, and wholeness—not devastation.