Creative Writing Commons^™

The Pulpit's Muse: Conversive Poetics In The American Renaissance, Michael William Keller

Dissertations (1934 -)

This dissertation focuses on the interaction between poetic form and popular religious practice in the nineteenth century United States. Specifically, I aim to see how American poets appropriated religious tropes—and especially religious conversion—in their poetry with specific designs on their audience. My introduction analyzes the phenomenon of religious conversion up through the nineteenth century with help from psychologists and historians of religion, including William James and Sydney Ahlstrom. In the introduction, I also explore how revivalist conversion helped inform the poetics of Walt Whitman and Ralph Waldo Emerson. Chapter one focuses on Emerson’s poetry, particularly as it enacts Emerson’s poetic …

Stars Collaged Of Gases (Or, We Are Not Lonely Anymore), Josh English

Theses and Dissertations

This work seeks to reconcile a variety of epistemological perspectives. Through six distinct sections, the poems in this book consider personal experience, science, poetics, and more. The book seeks to arrive at a place where uncertainty offers equal if not greater value than certainty in epistemological terms.

White Shadows: Perception And Imagination In Poetry, Madison Chartier

Undergraduate Honors Thesis Collection

In the spring of my sophomore year, I enrolled in the introductory course to writing poetry here at Butler University. I am not naturally a poet, but I have an appreciation for reading poetry and, at the time of the course, was curious to try my hand at the craft, despite having had little experience prior to the collegiate level. As may be expected, I ran into obstacles.

I enjoyed playing with language in experiments of sound and rhythm, but, despite the vast array of assonance, consonance, enjambment, and every other technique I employed, the poems I created throughout the …