Creative Writing Commons^™

The Lantern Vol. 44, No. 1, Fall 1977, Robert Brancatelli, Stephen M. Lange, Chris Kile, Lisa Ungrady, Len Ulan, Leslie Bechtel, Stuart Dearden, David Hoag, Ted Lis, Pamela Roediger, David Donia, Jonathan J. Zap

The Lantern Literary Magazines, 1933 to Present

• Onto My Love
• Saturday Midnight
• Michelle
• Today
• Firefly
• Black Midnight
• Bamboo Arms
• Caesaropapism
• A Day In My Life
• I Only
• For Stephen
• April 18, 1958 to July 15, 1977 with Emphasis on July 15
• Ode to Little Sisters
• Privacy Warning
• For Susan, Someone I Used to Know
• A Parting on the Night of June 26th
• Infant's Universe

The Lantern Vol. 43, No. 2, May 1977, Karen Sheldon, Donald Philhower, Ron Baltz, Risie Power, Craig Mally, B. Bloemfontein, Kcir Sirrom, Leslie Bechtel, Peter Geoffries, Bruce Dalziel, Janet Knauerhase, Lisa Ungrady, Cindy Shelmire, Laurie Duff, Bob Shuman, Joanne Mcphillips, Stephen M. Lange

The Lantern Literary Magazines, 1933 to Present

• Ode to Loneliness
• Windy Grief!
• Death
• The Icicle Vase
• To Ellen
• The Arrival of Night
• The Reserve Clause
• The Unspoken War
• Bull's Eye
• Closing Scene
• Brown Bottle Candles
• Goodbye
• There's Individuality In The Surf
• Impermanence
• Dark Nights

1976-1977 Quiz & Quill Magazine, Otterbein English Department

Quiz and Quill

No abstract provided.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Grace Beacham Freeman Papers - Accession 78, Grace Beacham Freeman

Manuscript Collection

The Grace Beacham Freeman Papers documents the development of Mrs. Freeman’s career as a writer from 1948 to the 1960s as well as her relationship with various members of her family. The collection is divided into two groups. The first, her personal files, mainly includes family and personal correspondence, biographical materials, genealogical charts and histories and other papers concerning her children. The second group, her professional files, includes Mrs. Freeman’s prose, poetry, plays and radio scripts as well as correspondence with publishers, editors and Archibald Rutledge, her friend and critic. The subject files consist of reference materials that Mrs. Freeman …