Creative Writing Commons^™

Notes On Contributors, Molly Lynde-Recchia

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No abstract provided.

On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney

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Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.

Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow

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Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"

Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist

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Drops From Black Candles By Abdallah Zrika, Mike Baynham

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English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.

While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson

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A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.

Corona By Paul Celan, David Capps

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Five Poems By Michael Krüger, Louise Stoehr

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Two Poems By Charles Baudelaire, Arnold Johnston

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Arnold Johnston's translations of Baudelaire's "The Lovely Ship" and "Invitation to the Voyage."

Blue Crystal By Martha Hofmann, Paul J. Shlichta

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A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.

Two Poems By Nohad Salameh, Susanna Lang

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Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."

Four Sonnets By Feng Zhi, Emily Goedde

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Translation of Feng Zhi's Sonnets 6, 12, 16, and 18 by Emily Goedde.

Persistence Of Memory After A Poem By Bashō, John Savoie

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This piece merges a classic haiku of Bashō with a contemporary English poem, first as its own new creative piece, then contemplated further in the commentary.

Four Poems By Rainer Maria Rilke, Susan Mclean

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Translations of four German poems from New Poems by Rainer Maria Rilke (1875-1926): "The Blind Man," "The Donor," "The Arrival," and "Lady on a Balcony."

From The Villa By Lucretius, James E. Fowler

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"From the Villa" is an epistolary poem in hexameters whose argument is loosely based on the Lucretius's De Rerum Natura. It is addressed to Lucretius's putative dedicatee/patron Gaius Memmius, a contemporary politician and poet.

My Dear Double By Abdellatif Laâbi, Guillemette C. Johnston, Allan Johnston

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This translation of Abdellatif Laabi's poem "My Dear Double" is accompanied by an essay on the theme of the double in literature.

Foreword, Molly Lynde-Recchia

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Transference Vol. 8, Fall 2020, Molly Lynde-Recchia

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"En Afrique, On N'Oublie Jamais": An Autoethnographic Exploration Of A Tck's Return "Home", Justin B. Hopkins

The Qualitative Report

Many Third Culture Kids (TCKs) struggle to answer the commonly-asked question: Where are you from? In this autoethnographic essay, a continuation of my earlier exploration of TCK experience (Hopkins, 2015), I confront my concept of home in reference to psychological research by Jerry Burger (2011), exploring the phenomenon of adults returning “home,” to place(s) that were important in their early lives. Like Burger’s subjects, I describe my experience of returning to visit, after over two decades away, the remote village in Senegal where I spent many of my childhood years. Following Tessa Muncey’s (2010) methodological lead, I structure my account …

Animals In Drama And Theatrical Performance: Anthropocentric Emotionalism, Peta Tait

Animal Studies Journal

This article outlines how nonhuman animals are framed by the emotions of drama, theatre and contemporary performance and considers a distinctive tradition in western culture of enacting animal characters who function as surrogate humans. It argues that, contradictorily, while animal characters confirm anthropocentric emotionalism, drama also contains pro-animal values and concern for animal welfare. Animals embodying emotions in theatrical languages are part of the way animals are used in the traditions of western culture and to think and philosophize with, but they also indicate thinking about the emotions in theatrical performance. The article considers if, however, staging living animals can …

“Rapunzel, Rapunzel, Lanza Tu Pelo”: Storytelling In A Transcultural, Translanguaging Dialogic Exchange, Erin E. Flynn

School of Social Work Faculty Publications and Presentations

In this study, we examined story circles to understand how the small‐group activity supports and shapes the storytelling of young students in multicultural, multilingual preschool classrooms. Through a representative example, we show how language development unfolds in the context of a transcultural and translanguaging dialogic exchange of stories. We describe features of increasing linguistic complexity present in students’ storytelling as they established affinity‐affirming connections over ideas, shared ways of languaging, and shared ways of storytelling. By examining changes in one student’s storytelling in the context of a mixed‐language story circle group, we offer insights into both language development and features …

Lulling Waters: A Poetry Reading For Real-Time Music Generation Through Emotion Mapping, Ashley Muniz, Toshihisa Tsuruoka

Electronic Literature Organization Conference 2020

Through a poetic narrative, “Lulling Waters” tells the story of a whale overcoming the loss of his mother, who passed away from ingesting plastic, as he attempts to escape from the polluted oceanic world. The live performance of this poem utilizes a software system called Soundwriter, which was developed with the goal of enriching the oral storytelling experience through music. This video demonstrates how Soundwriter’s real-time hybrid system was able to analyze “Lulling Waters” through its lexical and auditory features. Emotionally salient words were given ratings based on arousal, valence, and dominance while the emotionally charged prosodic features of the …

A Damn Short Prayer, Beth Jane Toren

Faculty & Staff Scholarship

This poster presents a transcript poem created with murder tales in oral history recordings. Leveraging the creative arts of storytelling, transcript poetry and visual orality, the poster brings light and music to Appalachian storyteller voices in tales of shady murders.

The handout presents the poem with visual orality methods juxtaposed beside Standard English orthographic transcription, enabling a visual comparison, a link a video with graphic text and the original voice recordings, and brief readings about concepts and methods.

Conceptualizing The Unspeakable: A Conceptual Metaphor Theory Analysis Of Sexual Assault Trauma In Creative Nonfiction, Ariana Ciamaricone

West Chester University Master’s Theses

This paper explores the use of conceptual metaphors (CMs) in two works of creative nonfiction, namely Laurie Halse Anderson’s (2019) Shout and Elissa Washuta’s (2014) My Body is a Book of Rules. Anderson’s (2019) poetic memoir centers on her experiences with sexual assault throughout her childhood and the process of writing her young adult novel Speak (1999). Washuta (2014) writes on her experiences with rape and mental illness via prose. Both memoirs detail their authors’ reckoning with the experience of sexual assault, and this paper investigates how trauma narratives attempt to “resolve what cannot be resolved, to generate meaning, …

How To Help When It Hurts: Act Individually (And In Groups), Cheryl E. Abbate

Animal Studies Journal

In a recent article, Corey Wrenn argues that in order to adequately address injustices done to animals, we ought to think systemically. Her argument stems from a critique of the individualist approach I employ to resolve a moral dilemma faced by animal sanctuaries, who sometimes must harm some animals to help others. But must systemic critiques of injustice be at odds with individualist approaches? In this paper, I respond to Wrenn by showing how individualist approaches that take seriously the notion of group responsibility can be deployed to solve complicated dilemmas that are products of injustice. Contra Wrenn, I argue …

The Grieving Kangaroo Photograph Revisited, David Brooks

Animal Studies Journal

Early in 2016 a photograph circulated widely of a male kangaroo holding up a dying female in the presence of a joey. Although initially taken as a moving and powerful photograph of grief, ‘experts’ quickly determined that this male may have killed the female in the process of coition. The male was in effect accused and convicted of rape and murder. Was this judgement correct? Was the male innocent or guilty? What are the nature, strength and politics of the assumptions involved in this judgement? Might he be exonerated, and why should this matter? The photograph is read and contextualised. …

[Review] John Simons. Obaysch: A Hippopotamus In Victorian London. Animal Publics Series, Edited By Fiona Probyn-Rapsey And Melissa Boyde, Sydney University Press, 2019. 226 Pp, Wendy Woodward

Animal Studies Journal

[Review] John Simons. Obaysch: A Hippopotamus in Victorian London. Animal Publics Series, edited by Fiona Probyn-Rapsey and Melissa Boyde, Sydney University Press, 2019. 226 pp. John Simons’ riveting biography of a hippo invites the reader into the experience of Obaysch who was captured on the Nile in 1849 then became a ‘star’ animal in the Regent’s Park Zoological Gardens in London. Obaysch is not just figured symbolically, politically and culturally, as so many historical animals are; Simons entices him from the archives to inhabit his own embodied narrative – a process which springs him from entrapment as a spectacle behind …

[Review] After Coetzee: An Anthology Of Animal Fictions. Edited By A. Marie Houser, Faunary Press, 2017. 189 Pp, Wendy Woodward

Animal Studies Journal

[Review] After Coetzee: An Anthology of Animal Fictions. Edited by A. Marie Houser, Faunary Press, 2017. 189 pp.

[Review] Paula Acari. Making Sense Of ‘Food’ Animals: A Critical Exploration Of The Persistence Of Meat. Palgrave Macmillan, 2019. 356 Pp., Alex Lockwood

Animal Studies Journal

[Review] Paula Acari. Making Sense of ‘Food’ Animals: A Critical Exploration of the Persistence of Meat. Palgrave Macmillan, 2019. 356 pp. There are many audiences for Paula Acari’s new book on the persistence of meat as edible matter, Making Sense of Food Animals, and not all of them academic. One of the striking facets of this well-researched, clearly argued and empirical analysis, drawing on 41 interviews with Australian meat eaters and meat producers, is the lessons for animal advocacy organisations for rethinking their messaging strategies. Central to the book’s argument is Acari’s challenge to narratives of transparency and visibility, …

[Review] Natalie Porter And Ilana Gershon, Editors. Living With Animals: Bonds Across Species. Ithaca: Cornell University Press, 2018. 266 Pp., Wendy Woodward

Animal Studies Journal

[Review] Natalie Porter and Ilana Gershon, editors. Living with Animals: Bonds across Species. Ithaca: Cornell University Press, 2018. 266 pp. Living with Animals, as the dust jacket avers, ‘is a collection of imagined animal guides – a playful look at different human-animal relationships’. The collection has an international range from dogs in Australia, to sacrificial cattle in Madagascar, chimpanzees in West Africa, tamed hyenas in Harar, and returning birds in Buenos Aires. At the same time the reader learns more about animals in processes and places we might take for granted – training service dogs, marketing rescue dogs, introducing …