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Full-Text Articles in Chinese Studies
Remapping Emotion And Desire: Same-Sex Romance In Ah Cheng's "The King Of Chess", Yanjie Wang
Remapping Emotion And Desire: Same-Sex Romance In Ah Cheng's "The King Of Chess", Yanjie Wang
Asian and Asian American Studies Faculty Works
This article examines the representation of emotion and desire in Ah Cheng's The King of Chess (Qi wang). The interpretation of The King of Chess has been oriented toward an allegorical reading that revolves around grand cultural concepts, such as aesthetics, Taoist tradition, cultural consciousness, and national identity. In this paradigm of reading, the literary text has largely become a footnote of the master narrative of China's cultural reconstruction of the 1980s. Following the recent interpretative turn of this story from cultural to existential and from allegorical to corporeal, the article extends to yet another domain, that of emotion, intimacy, …
Trauma, Migrant Families, And Neoliberal Fantasies In Last Train Home, Yanjie Wang
Trauma, Migrant Families, And Neoliberal Fantasies In Last Train Home, Yanjie Wang
Asian and Asian American Studies Faculty Works
This paper examines the traumatic experience of migrant workers through a reading of Lixin Fan's award-winning documentary film Last Train Home(2009). I am not primarily concerned, like most trauma-studies-based research, with grand, clearly recognizable catastrophes. I also avoid generalizing about human suffering in the age of global capitalism. I focus rather on post-Socialist China's more hidden social violence and its traumatizing effect on the quotidian life of migrantworkers-a subaltern group on the periphery of society. I argue that the trauma of the marginalized population must be socially and politically contextualized. The first section of the essay investigates the traumatic sense …
Violence, Wuxia, Migrants: Jia Zhangke’S Cinematic Discontent In A Touch Of Sin, Yanjie Wang
Violence, Wuxia, Migrants: Jia Zhangke’S Cinematic Discontent In A Touch Of Sin, Yanjie Wang
Asian and Asian American Studies Faculty Works
This article examines the representation of violence in Jia Zhangke's film A Touch of Sin (2013) in light of Žižek's theory of ‘objective violence’ and the wuxia tradition. Jia attempts to understand the rise of individual violent incidents during China's post-socialist transformations by laying out the social, historical and political milieus in which they take place. He unveils the Žižekian objective violence hidden in the realm of social normality, pinpointing the country's sins of collusion with the global capital to impose injustice on the poor and disadvantaged. Invoking the wuxia genre, Jia portrays the protagonists not so much as perpetrators …
Heterogeneous Time And Space: Han Shaogong’S Rethinking Of Chinese Modernity, Yanjie Wang
Heterogeneous Time And Space: Han Shaogong’S Rethinking Of Chinese Modernity, Yanjie Wang
Asian and Asian American Studies Faculty Works
This article is set against the post-Mao official discourse on modernity, in which the conceptualization of a homogeneous, progressive time dominates the public consciousness. The focus is on Han Shaogong, one of the most important writers and cultural theorists in contemporary China, and on how he imagines a heterogeneous spatiotemporality away from the centralized and teleological paradigm. Han’s emphasis on the heterogeneity of time and space puts the homogenized, Hegelian-Marxist, developmentalist logic at the core of China’s modernization project into question. The article begins by examining how the linear and evolutionary concept of time has determined the perception of history …
From Eileen Chang To Ang Lee: Lust/Caution Ed. By Peng Hsiao-Yen And Whitney Crothers Dilley, Yanjie Wang
From Eileen Chang To Ang Lee: Lust/Caution Ed. By Peng Hsiao-Yen And Whitney Crothers Dilley, Yanjie Wang
Asian and Asian American Studies Faculty Works
No abstract provided.
Displaced In The Simulacrum: Migrant Workers And Urban Space In The World, Yanjie Wang
Displaced In The Simulacrum: Migrant Workers And Urban Space In The World, Yanjie Wang
Asian and Asian American Studies Faculty Works
The article examines the construction of the World Expo Garden in Shanghai in 2010, in relation to Jia Zhangke’s 2004 film The World. It argues that during the process of large-scale demolition and reconstruction involved in the creation of the World Expo Garden, one cannot ignore the numerous migrant workers who swarmed into the city and contributed tremendously to the completion of one project after another. This article argues that in spite of their pivotal role in providing cheap labor to rebuild the city, migrant workers have not been afforded any space in the spectacular tapestry of Shanghai. This article …
Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity, Yanjie Wang
Contention Of Lust, Caution: Sexuality, Visuality And Female Subjectivity, Yanjie Wang
Asian and Asian American Studies Faculty Works
This paper investigates the ways in which Ang Lee provides new insights into subject formation in his film Lust, Caution (Se Jie, 2007). In the paradigm of structuralism, the subject is defined, as well as confined, by the symbolic order or the dominant ideology. The puzzle therefore rests on how to explain the subject’s negotiation with its normative identity, its denial thereof, or even its subversion of said identity. In a close reading of the female protagonist’s subject formation in Lust, Caution, this paper acknowledges the power of ideology, specifically the power of its interpellative operation, in constructing a subject. …