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Full-Text Articles in Australian Studies

Library Support For Indigenous University Students: Moving From The Periphery To The Mainstream, Joanna Hare, Wendy Abbott Jan 2016

Library Support For Indigenous University Students: Moving From The Periphery To The Mainstream, Joanna Hare, Wendy Abbott

Wendy Abbott

Objective This research project explored the models of Indigenous support programs in Australian academic libraries, and how they align with the needs of the students they support. The research objective was to gather feedback from Indigenous students and obtain evidence of good practice models from Australian academic libraries to inform the development and enhancement of Indigenous support programs. The research presents the viewpoints of both Indigenous students and librarians. Methods The research methods comprised an online survey using SurveyMonkey and a focus group. The survey was conducted nationally in Australia to gather evidence on the different models of Indigenous support …


Radical Academia: Beyond The Audit Culture Treadmill, Rowan Cahill, Terry Irving Oct 2015

Radical Academia: Beyond The Audit Culture Treadmill, Rowan Cahill, Terry Irving

Rowan Cahill

The pathos of radical academia: notes on the impact of neo-liberalism on the universities, especially the audit culture, the production-model, casualization, academic scholarship, academic writing, peer reviewing, and open access. The authors suggest ways scholars can be radical within, and outside, of neoliberal academia. Part I, 'Missing in Action' appeared as an Academia.edu session in May 2015, where it attracted many comments. Part II, 'What Can Be Done?' is the authors' response to these comments. The whole piece was posted on the Cahill/Irving blog 'Radical Sydney/Radical History' on 22 October 2015.


Review Of David Horner,'The Spy Catchers: The Official History Of Asio, 1949-1963', Sydney: Allen & Unwin, 2014, Rowan Cahill Jul 2015

Review Of David Horner,'The Spy Catchers: The Official History Of Asio, 1949-1963', Sydney: Allen & Unwin, 2014, Rowan Cahill

Rowan Cahill

Critical review of the officially commissioned history of the Australian Security Intelligence Organisation (ASIO) published in 2014.


A Living Tradition, Rowan Cahill Jul 2015

A Living Tradition, Rowan Cahill

Rowan Cahill

Discussion of the seminal work by R. W. Connell and T. H. Irving 'Class Structure in Australian History' (Longman Cheshire, 1980, 1992), and of the tradition of Marxist and class analysis in Australian intellectual life.


Words For Pam, Rowan Cahill Jun 2015

Words For Pam, Rowan Cahill

Rowan Cahill

Words spoken by Rowan Cahill at the funeral of his wife, Pam Cahill, 24 June 2015.


Multisport Dreaming: The Foundations Of Triathlon In Australia, Jane Hunt Apr 2015

Multisport Dreaming: The Foundations Of Triathlon In Australia, Jane Hunt

Jane Hunt

The sport of triathlon has evolved considerably since the first triathlon-like events were held in Australia in 1980 and 1981. The Australian triathlon journey is full of triumphs. Australia hosted the first Olympic triathlon and the first fully professional race series, and produced wave after wave of age group and elite ITU and Ironman world champions. Australia’s triathlon past is also full of drama, controversy and tragedy. Triathlon has grown so much in such a short time, but in reality, very little is known about the sport’s past. Multisport Dreaming captures a period in time that few remember and documents …


Radical History And Labour History, Terry Irving, Rowan Cahill Feb 2015

Radical History And Labour History, Terry Irving, Rowan Cahill

Rowan Cahill

This piece by Terry Irving and Rowan Cahill was published on their 'Radical Sydney/Radical History' blog (19 February 2015). It welcomes the Radical History Conference (London, 24 March 2015) and reflects on how the political heritage of labour, the original impulse for 'labour history', is energising a new generation of radical historians.


A Long Shadow, Rowan Cahill Nov 2014

A Long Shadow, Rowan Cahill

Rowan Cahill

An account of the author's grandfather's role in World War 1, its tragic peacetime aftermath, and the legacy of this during the 1960s.


Confronting Anzackery, Rowan Cahill Sep 2014

Confronting Anzackery, Rowan Cahill

Rowan Cahill

Review of the historical novel 'Brothers. Part One: Gallipoli 1915' by John Tognolini, an account of the 1915 Gallipoli campaign based on the experiences of Tognolini's uncles. The reviewer reads and treats the novel as an anti-war text.


Home Front Ww2: Myths And Realties, Rowan Cahill Aug 2014

Home Front Ww2: Myths And Realties, Rowan Cahill

Rowan Cahill

This is a revised version of the author's 2014 Brisbane Labour History Association Alex McDonald lecture. In this paper the author takes apart the right-wing accounts, particularly by Hal Colebatch ('Australia's Secret War, 2013), that demonise the Australian trade union leadership and the Communist Party of Australia for 'treasonous' industrial disputation during World War II.


Tone It Down A Bit!: Euphemism As A Colonial Device In Indigenous Studies, Colleen Mcgloin May 2014

Tone It Down A Bit!: Euphemism As A Colonial Device In Indigenous Studies, Colleen Mcgloin

Colleen McGloin

No abstract provided.


'A Sort Of Buzzing' Queer Sound In David Malouf's Blood Relations, James Marland Dec 2013

'A Sort Of Buzzing' Queer Sound In David Malouf's Blood Relations, James Marland

James Grice Thomas Marland

No abstract provided.


Socio-Institutional Neoliberalism, Securitisation And Australia's Aid Program, Nichole Georgeou, Charles Hawksley Dec 2012

Socio-Institutional Neoliberalism, Securitisation And Australia's Aid Program, Nichole Georgeou, Charles Hawksley

Nichole Georgeou

This is Case Study Number 8 in the Hawksley and Georgeou edited book 'The Globalization of World Politics' (OUP, 2013).


Australia's Seat On The Un Security Council, Charles Hawksley, Nichole Georgeou Dec 2012

Australia's Seat On The Un Security Council, Charles Hawksley, Nichole Georgeou

Nichole Georgeou

This is Case Study Number 20 in the book edited by Charles Hawksley and Nichole Georgeou, 'The Globalization of World Politics' (OUP, 2013).


Mining Animal Death For All Its Worth, Melissa J. Boyde Dec 2012

Mining Animal Death For All Its Worth, Melissa J. Boyde

Melissa Boyde

This chapter considers the death of animals in the novels and film adaptations of Wake in Fright (1961/1971) and Red Dog (2001/2011). Both texts have several things in common: they are set in Australian mining towns – in Wake in Fright it is Bundanyabba, a fictional town with echoes of Broken Hill, New South Wales, and in Red Dog it is Dampier in the Pilbara region of Western Australia – and in both the death of animals is central to the narrative: in Wake in Fright it is the massacre of kangaroos and in Red Dog it is the death …


Trafficking Modernities: Gender And Cultural Authority In The Case Of The Woman Organist, Lilian Frost, Jane Hunt Oct 2012

Trafficking Modernities: Gender And Cultural Authority In The Case Of The Woman Organist, Lilian Frost, Jane Hunt

Jane Hunt

According to the local press, Frost as both soloist and accompanist on piano and organ was reported to exhibit a musical maturity beyond her years, and stamina considered unusual for a 'young lady', but clearly this was problematic. Jealous minded organists of the sterner sex are apt to say that ladies cannot play the organ; but the meritorious performance by Miss Frost dispels that illusion; for here is a lady who can play the organ. This appeared to provoke a shift in reportage on Frost's performances: whereas previously newspaper reports repeated an established complimentary four-lined riff, detailed reviews soon replaced …


The 'Intrusion Of Women Painters': Ethel Anderson, Modern Art And Gendered Modernities In Interwar Sydney, Australia, Jane Hunt Dec 2011

The 'Intrusion Of Women Painters': Ethel Anderson, Modern Art And Gendered Modernities In Interwar Sydney, Australia, Jane Hunt

Jane Hunt

In the interwar period in Sydney, Australia, male art gallery trustees, directors, and art schoolteachers objected to female advocacy and practice of artistic responsiveness to the modern. The dialogue between these two parties has often been interpreted in terms of a margin/centre dichotomy. Closer examination of the case of Ethel Anderson suggests that this model is inadequate. She demonstrated the transnationally apparent predilection of women to infusing civic cultures with the fleeting and every day, thus inverting the spatial cues to cultural authority and presenting a gendered challenge to institutionalised, masculine notions of cultural authority.


Radio Narrative: Considerations On Form And Aesthetic, Siobhan Mchugh Dec 2010

Radio Narrative: Considerations On Form And Aesthetic, Siobhan Mchugh

Siobhan McHugh

No abstract provided.


Oral History And The Radio Documentary/Feature: Introducing The Cohrd (Crafted Oral History Radio Documentary), Siobhan Mchugh Dec 2010

Oral History And The Radio Documentary/Feature: Introducing The Cohrd (Crafted Oral History Radio Documentary), Siobhan Mchugh

Siobhan McHugh

No abstract provided.


Daphne Mayo’S Self-Portrait: Australian Sculptor; Experiment With Colour; Or Woman With Toothache?, Jane Hunt Jul 2010

Daphne Mayo’S Self-Portrait: Australian Sculptor; Experiment With Colour; Or Woman With Toothache?, Jane Hunt

Jane Hunt

A self-portrait by Australian sculptor Daphne Mayo, housed, unframed, in an art file in the University of Queensland’s Fryer Library is one of those images that can lead to ever-expanding circles of research and cross-disciplinary reading. Daphne Mayo was a key Australian sculptor of the mid-twentieth century, the creator of numerous prominent pieces of public art, and a woman who contributed significantly to the shaping of the Queensland Public art collection during the same period. There are a number of ways to analyse Mayo's body of work as a whole – as an artist herself in terms of her views, …


Daphne Mayo Collection, Jane Hunt Dec 2009

Daphne Mayo Collection, Jane Hunt

Jane Hunt

No abstract provided.


Art Worthy Of The State: Daphne Mayo And Her Cultural Mission, Jane Hunt Sep 2009

Art Worthy Of The State: Daphne Mayo And Her Cultural Mission, Jane Hunt

Jane Hunt

The Queensland sculptor, Daphne Mayo, believed in and exercised what might be regarded as a form of ‘cultural authority’, in an Arnoldian sense. She distinguished between philistines (although she didn’t necessarily use that term), and those who possessed artistic ‘sensibilities’. Those who possessed such knowledge, appreciation and sensibility were worthy of determining, in the state of Queensland, what was worthy of its state collection of fine arts. In both the 1930s and 1960s when she worked closely with them, she viewed the majority of the members of the Board of Trustees of the Queensland Art Gallery as laymen who were …


A Time For War: Correspondence, Rowan Cahill Dec 2005

A Time For War: Correspondence, Rowan Cahill

Rowan Cahill

A critical discussion of aspects of the Australian martial spirit in response to an essay on the subject by John Birmingham.


Sunshine And Shadows, Rowan Cahill Dec 2005

Sunshine And Shadows, Rowan Cahill

Rowan Cahill

This is a memoir of the author's childhood in Australia, during the Cold War, with the focus on the politics and culture of his environment, the city's suburban and conservative North Shore.


Introduction, Rowan Cahill Dec 2004

Introduction, Rowan Cahill

Rowan Cahill

In this introduction to a collection of recollections of thirty-nine participants in the turbulent period 1965-1975 in Australia, Cahill argues the period was a cultural revolution. The future was seeded with movements and ideas that changed Australian society and culture, and enlarged the space for democratic action.


A Turbulent Decade: Social Protest Movements And The Labour Movement, 1965-1975, Rowan Cahill, Beverley Symons Dec 2004

A Turbulent Decade: Social Protest Movements And The Labour Movement, 1965-1975, Rowan Cahill, Beverley Symons

Rowan Cahill

During the decade 1965-1975, a cultural revolution took place in Australia. The future was seeded with movements and ideas that changed Australian society and culture, and enlarged the space for democratic action. This book, edited by Beverley Symons and Rowan Cahill, themselves activists during the period, brings together the candid, at times vulnerable, recollections of thirty-nine participants in the events of the decade.


Finding A Place For Women In Australian Cultural History: Female Cultural Activism In Sydney, 1900-1940, Jane Hunt Sep 2004

Finding A Place For Women In Australian Cultural History: Female Cultural Activism In Sydney, 1900-1940, Jane Hunt

Jane Hunt

With only a few exceptions, the endeavours of culturally active women appear as irrelevant or marginal to the history of Australian culture. Australian cultural historiography dwells on antithetic relationships, whether between cultural-political elites, gendered spaces and practices, or elitist and popular culture. However, this historical preoccupation with dichotomous notions of class, gender, and culture has deflected attention from other aspects of the struggle to define culture. Cultural definitions were far from fixed for most of the first half of the twentieth century in Australia. Negotiations on what constituted appropriate cultural form, content, and practice are apparent inside and outside establishment …


“Fellowing” Women: Sydney Women Writers And The Organisational Impulse, Jane Hunt Dec 2003

“Fellowing” Women: Sydney Women Writers And The Organisational Impulse, Jane Hunt

Jane Hunt

No abstract provided.


Nest Of Traitors, Rowan Cahill Jul 2003

Nest Of Traitors, Rowan Cahill

Rowan Cahill

Review of Drew Cottle, 'The Brisbane Line - A Reappraisal' (Upfront Publishing, Leicestershire, 2003), a scholarly study of elements of the Australian ruling class during the 1930s and their close relationships with Japan, and the proposition that in the event of Australia being invaded by Japan during the Second World War, these elements would have collaborated.


“Victors” And “Victims”: Men, Women, Modernism And Art In Australia, Jane Hunt Dec 2002

“Victors” And “Victims”: Men, Women, Modernism And Art In Australia, Jane Hunt

Jane Hunt

Extract:

It is relatively easy to misread the history of artistic modernism in Australia. Glance at a handful of key sources, and they all seem to tell the story of a battle: in the years between the two world wars the Australian art establishment was run by a band of big bad traditionalists - art historian Bernard Smith likens them to the priests of Leviticus - who were at first irritated and later seriously threatened by a bunch of critical young innovators.