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Articles 1 - 4 of 4
Full-Text Articles in Art Practice
Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea
Pineapple, 022, Conversation – Behind The Cover Art, Jesse W. Standlea
The STEAM Journal
Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process …
Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn
Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn
Electronic Theses and Dissertations
Let’s Keep in Touch: Conversations about Tactility, a project collaboratively organized by social practice artist Carmen Papalia and curator Whitney Mashburn, presents conversations between Papalia and artists selected by Mashburn, in regard to tactile access of the chosen artists’ works. The project aims to challenge visual biases in museum engagement, through dialogue with living artists.
Carmen Papalia takes social practice in a new direction as he applies it to the topic of accessibility. Using the tool of conversation, he creates strategic infrastructural activism and prompts exploration of non-visual perception.
In this thesis, Papalia’s work will be examined and discussed …
On Coming And Going, Quintin Teszeri
On Coming And Going, Quintin Teszeri
Electronic Thesis and Dissertation Repository
This dossier and the accompanying exhibition On Coming and Going (presented at the Artlab Gallery in January 2017) constitute my MFA in Visual Arts thesis. The first chapter of this dossier is a Comprehensive Artist Statement in which I reflect on how my art, thinking, and life engage different meanings of coming and going in different ways. The statement approaches a deeply subjective and aggregate philosophy, or perhaps an attitude, or perhaps most appropriately if also most cliché, a way of being, in the face of relentless transience. The second chapter is a review of Michel de Broin’s 2016 Castles …
Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York
Viewer-, Author-, And Ownership In The Work Of Andrea Zittel, Amanda M. York
Theses and Dissertations
Andrea Zittel invites others to collapse the distinctions between artist, viewer, and collaborator by interacting with her usable works. This thesis explores the process of interacting with Zittel's works, and how it affects viewer-, author- and ownership.