Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- American Popular Culture (1)
- American Studies (1)
- Art and Design (1)
- Comparative Literature (1)
- Computer Engineering (1)
-
- Creative Writing (1)
- Data Storage Systems (1)
- Digital Humanities (1)
- Engineering (1)
- English Language and Literature (1)
- European Languages and Societies (1)
- Feminist, Gender, and Sexuality Studies (1)
- Fine Arts (1)
- Interactive Arts (1)
- Library and Information Science (1)
- Modern Literature (1)
- Other Film and Media Studies (1)
- Photography (1)
- Reading and Language (1)
- Rhetoric and Composition (1)
- Social and Behavioral Sciences (1)
- Theatre and Performance Studies (1)
- Visual Studies (1)
- Women's Studies (1)
- Institution
- Publication
- Publication Type
Articles 1 - 2 of 2
Full-Text Articles in Art Practice
New Challenges For The Archiving Of Digital Writing, Heiko Zimmermann
New Challenges For The Archiving Of Digital Writing, Heiko Zimmermann
CLCWeb: Comparative Literature and Culture
In his article "New Challenges for the Archiving of Digital Writing" Heiko Zimmermann discusses the challenges of the preservation of digital texts. In addition to the problems already at the focus of attention of digital archivists, there are elements in digital literature which need to be taken into consideration when trying to archive them. Zimmermann analyses two works of digital literature, the collaborative writing project A Million Penguins (2006-2007) and Renée Tuner's She… (2008) and shows how the ontology of these texts is bound to elements of performance, to direct social interaction of writers and readers to the uniquely subjective …
Turning To See Otherwise, Jennifer L. Martin
Turning To See Otherwise, Jennifer L. Martin
Electronic Thesis and Dissertation Repository
This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …