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Full-Text Articles in Art Practice

Stratum, Raneem Fadul Nov 2016

Stratum, Raneem Fadul

CGU MFA Theses

My work is an expression of the relationship between my own culture, and the American culture and way of life that I have had a chance to interact with, observe, and reflect on throughout the past few years. My concepts were inspired by the industrial nature of the area that I live in, where I gradually realized that I was surrounded by dozens of workshops and garages. Given that my home is the spiritually-rich, fairly traditional, and non-industrial Saudi Arabia, this typical American experience has been, to me, one with much room for reflection, due to the extreme contrast. The …


An Aesthetic Theory Of Gamesmanship, Derek A. Fordjour Jun 2016

An Aesthetic Theory Of Gamesmanship, Derek A. Fordjour

Theses and Dissertations

An Aesthetic Theory of Gamesmanship is an in-depth analysis of the personal, sociological, and historical elements contained within the art of Derek Fordjour with considerations given to artistic and literary influences that inform his intention and goals in the work. Also included are illustrations of specific art works and descriptions.


Symbiosis Now, Priscilla Fusco May 2016

Symbiosis Now, Priscilla Fusco

Theses and Dissertations

As we narrow the world’s parameters with our activities, we crowd other organisms that support us. Scientists and philosophers including Charles Sanders Peirce, Lynn Margulis, Thomas Khun and Dave Goulson articulate the role of the biomass, an intelligence that offers fertile dialogue for sculptors.


Aesthesia, Cindy G. Garcia May 2016

Aesthesia, Cindy G. Garcia

CGU MFA Theses

My art practice in itself, is first and foremost about me as a Human on this planet. Second, I am drawn to the cognitive dissonance that happens within each individual, this is key to the majority of my work. For this show I really wanted to emphasize; A: The textural, corporal involvement that I personally really enjoy and get satisfaction out of. B: The color of Life. C: The beauty in very introspective particular instances that happen in day to day life.


On Coming And Going, Quintin Teszeri Jan 2016

On Coming And Going, Quintin Teszeri

Electronic Thesis and Dissertation Repository

This dossier and the accompanying exhibition On Coming and Going (presented at the Artlab Gallery in January 2017) constitute my MFA in Visual Arts thesis. The first chapter of this dossier is a Comprehensive Artist Statement in which I reflect on how my art, thinking, and life engage different meanings of coming and going in different ways. The statement approaches a deeply subjective and aggregate philosophy, or perhaps an attitude, or perhaps most appropriately if also most cliché, a way of being, in the face of relentless transience. The second chapter is a review of Michel de Broin’s 2016 Castles …


So Much Apparent Nothing, Emily Mcbride Jan 2016

So Much Apparent Nothing, Emily Mcbride

Theses and Dissertations

This document contains reflections on motivations behind selected works leading up to and including my thesis exhibition so much apparent nothing. Through journal excerpts and analysis of my own psychology, I attempt to put into words my thoughts concurrent to my making, indirect as they may be. The following text shares my personal conflicts and ideologies surrounding art-making, the permanence of objects, and the acceptance of an identity in flux.


Build-Up, Kate Lund Jan 2016

Build-Up, Kate Lund

Graduate Student Theses, Dissertations, & Professional Papers

Build-up is based in an appreciation for quietude within the landscape that is interrupted by a sense of urgency and distress. The renderings, gestural drawings, and sculptural work are the result of allowing my studio process to mimic my analytical decision making and sensory observation as a wildland firefighter. The research investigates my work in relation to Romantic painters such as JMW Turner and Sublime philosophy, particularly Edmund Burke’s 1757 Sublime theory. Burke emphasized the emotional and psychological response to the Sublime experience of terror and awe. My research also discovers connections with contemporary artists, Robert Smithson, John Peña, and …


Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander Jan 2016

Amassing Subsistence: Creating An Environment Through Objects And Time, Matilda J. Alexander

Senior Independent Study Theses

No abstract provided.


The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall Jan 2016

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …


Cold Lapse, Tressa Jones Jan 2016

Cold Lapse, Tressa Jones

Graduate Student Theses, Dissertations, & Professional Papers

cold lapse addresses the abstract notions of time and loss while conveying the value of observing the present. The postmodern view of time, the grid’s vernacular, and the aesthetics of postminimalism are my foundation for communicating time’s passage and its consequential sensations of absence. The duration of a slow drip, the cycle of breath and the sequential motion of a hand folding paper each mark passing moments. By observing these signs the phenomenon of time may be appreciated. Care and ephemerality in the work require the viewer’s sensitivity when encountering and witnessing it, much like the demands of observing the …