Art Practice Commons^™

Where Are The Women? A Feminist Field Guide To The Museum, Taylor Weaver

Theses

Linda Nochlin’s seminal 1971 essay, “Why Have There Been No Great Women Artists?” was at the fore of the great battle cries of many feminist scholars that drew attention to the limitation’s that female artist’s face in the art world. Women have systematically been left out of the art historical narrative while their male counterparts remain at the forefront.

There are many women that are very prominently represented in museums. They are largely nude and have been represented by male artists. While I do not argue that nudity in paintings should not exist, I do insist that museum goers become …

Homeward Bound, Kyle Peruch

LSU Master's Theses

This paper explores agency and opposition as the underlining themes in the artworks of Homeward Bound. Both doctrines are important religious teachings that I have used to explore artistic ideas such as tension, balance and perspective. Each artwork displays a point of view on how I have confronted opposition in my lifetime. The sculptures are also meant to offer a sense of encouragement and hope to the viewer as they analyze each piece of art.

Tipping Point, Pang Z. Vang

Theses and Dissertations

What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.

Gardening At Arm's Length, Paul Chartrand

Electronic Thesis and Dissertation Repository

Combined with a Master of Fine Art thesis exhibition, Gardening at Arm’s Length, this dossier provides supporting components: an extended artist’s statement, documentation of my artwork, an interview with artist Mary Mattingly and my Curriculum Vitae. Throughout the program, I have explored the nature/culture divide and concepts of agency shared by humans and non-humans alike. This work is informed by historical and contemporary artists who are discussed in my artist statement, as well as the theories of place-thought by Vanessa Watts, the dark ecology of Timothy Morton, and the vibrant matter of Jane Bennet. These research components help elaborate …

Just As It Should Be: Painting And The Discipline Of Everyday Life, Jared R. Peters

Electronic Thesis and Dissertation Repository

In this Master of Fine Arts Thesis dossier, I focus on contemporary painting’s capacity to question and challenge the roles and behaviors expected and directed by the social order. I am specifically concerned with the production of a normative subjectivity through the organization and configuration of domestic spaces and objects. Through a Case Study of Belgian artist Michaël Borremans, in a Comprehensive Artist Statement of my own art practice, and in examples of my work in the Practice Documentation section, I demonstrate how the discipline of painting can reveal and resist the everyday disciplinary procedures of contemporary society. Through its …