Art Practice Commons^™

Disintegrating Loops Of Uprooted Plastic, Jacin Giordano

Masters Theses

I’m interested in paint’s malleability. In my work, I transform the physical possibilities of paint in a literal way, using it as a tactile material to be cut apart, reassembled, or simply exposed for what it is. My paintings are labor-intensive. They are not predetermined, they meticulously evolve; crafted rather than executed. Remnant material from one painting, the result of a working process of cutting, gouging, or sanding, leads directly to the production of a new piece. In my work there is no illusion, material is meant to reiterate itself. Unlike abstract painters of the early 20th century, who hoped …

Double Splinters, Theresa M. Daddezio

Theses and Dissertations

Awareness of matters outside oneself can be heightened by a repetitive task, one that requires a meditative focus on the rudimentary of movement. The construction of a line is a projection from a fixed point that creates a multiplicity of lines, synapses, and connective fabric in the mind that project outward to any possible or arbitrary point. When assembling our reality, our eyes operate as the mediators of such points, drawing in visual clues to the world around us. Sight is composed from the movement of light particles alongside of individual and collective memories that construct what is.

A Document That Transcends Itself: Between Abstraction And Reality, Seth Lewis

Bachelor of Fine Arts Senior Papers

In A Document that Transcends Itself: Between Abstraction and Reality, I first present a historical analysis of photography that complicates traditional assumptions of how photographs operate in the world. Rather than functioning as merely an objective record, the photograph takes on a dual status as both a document and an abstraction from reality. The photograph’s ability to selectively decontextualize the origins from which it came from and present itself as something other than what it simply records becomes the core of my artistic practice. This paper will also discuss my conceptual investigations into how we perceive photographs when they …

Devorah, Jackson Siegal

Senior Projects Spring 2018

In Devorah, I sought to deliver an image to a text I could only engage with through removal. Unable to read the original Yiddish memoir written by my great grandmother, Devorah Schneider, I relied on a translation. Upon realizing that a photograph of the world couldn’t properly illustrate the experiences I was reading, I decided to expose photographic paper beneath an empty enlarger, one with no negative. As the blank projections bled, grew, shrunk and glowed in my darkroom, I began to build an abstract language in dialogue with Devorah’s words.

The project began when I decided to engage with …