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Articles 1 - 15 of 15
Full-Text Articles in Art Practice
In A Condition Of No Light, Alana Perino
In A Condition Of No Light, Alana Perino
Masters Theses
In a Condition of No Light is an autofictional investigation into lineages of familial domesticity. The performances therein circumnavigate one family in one domestic environment, yet are in dialogue with repertoires learned and rehearsed within legacies of myth, literature, theater, film, music, and image; as well as through the otherwise untraceability of embodied memory and inherited trauma. The methodologies used are primarily photographic but also encompass practices reaching towards sculpture, installation, and performance. The line of questioning reserved for this inquiry is how a home, its objects, and inhabitants generate, spacialize, and embody the conditions of wealth, whiteness, and gender. …
New Mapping, Dowon Yoo
New Mapping, Dowon Yoo
Masters Theses
Tools determine the shape of most of the worlds that are manufactured or measured. Taking the Earth as an example, territory is shaped and transformed by the tools of the earth's plate movement, the sea, and humans. A map, a recognized territory, is represented through numerical instruments, mathematical formulas, and visual devices such as lenses.
The instrumental perspective is one of the powerful lenses that will work effectively into the past, present, and future. So I started to apply an instrumental perspective to digital space. Digital space which is Non-physical has become one of the most important worlds for contemporary …
Making Then Meaning, Ben Denzer
Making Then Meaning, Ben Denzer
Masters Theses
This is an artist talk contained within a book. It is 816 pages and 49 minutes long. Closed captions run across the spreads. A video of this talk can be watched on bendenzer.com/making-then-meaning
At RISD, I’ve been prompted to expand the scope and tools of my practice and to reflect on questions of meaning in my work.
I spend my days making things, but I’ve never really had good answers to questions of why I make the things I make, or what their meaning is. I don’t think there are simple answers to these questions.
I think meaning comes from …
Moretheless, Abdelghani Alnahawi
Moretheless, Abdelghani Alnahawi
Masters Theses
material investigations becoming questions with interjections
Soul Furnace / فرن الأرواح, Isa Ghanayem
Soul Furnace / فرن الأرواح, Isa Ghanayem
Masters Theses
“This is the good washing, this is (the washing) which separates the dirty body from the pure body. This is like silver mixed with lead, it is separated from it by this (process): one makes for it a cupel of bones, which is what is called the “head of the dog” and of which the common name is kūja-which is the crucible—and this must be made of burnt bones. One melts the silver in it, one gives it a strong fire: the cupel will absorb and receive the lead, the fire will make its subtle (part) fly away and extirpate …
Entrelazados, Agustina Markez
Entrelazados, Agustina Markez
Masters Theses
Entrelazados is composed of a series of photographs from my trip to Argentina summer of 2022. I explore my immigrant Argentine identity and displacement in relation to turmoil, thinking about political disruption of everyday life, within the passage of time This work aims to give an inside look on the mundane daily life of my family, capturing the quiet moments in our everyday life. I used film and collage to have a closer connection to the medium I was using to capture these moments. Through sewing, inks, and physical collage of materials, I got to form an intimate relationship with …
Step 10, Jinhong Cai
Step 10, Jinhong Cai
Masters Theses
Step 10 is an experiment on provoking empathy through
abstracted elements within my studio practice. I am
proposing to craft an emotional piece without leaning
on my identity. This written thesis consists of two parts:
narrative prose and an explanation of my studio practice.
While the installation is entirely devoid of cultural or
personal references, this text-based thesis is full of them
because it is intended to inform whoever is interested in
learning more about the motive behind this creation.
The questions I bought into the thought and creation
process are: Can a piece of art still successfully bring
out …
Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer
Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer
Art Theses and Dissertations
To me, ecology is the relational, full-body awareness that I am made up of and deeply connected to everything around me; and for better or worse, this is reciprocal. I form ecotones, an ecological transitional zone between two ecosystems, with the world around me. I use this ecotonal lens to blur binaries and dissolve boundaries between me and the world “outside my body.” During my Masters of Fine Arts at Southern Methodist University, I have continuously explored and represented the lives of various more-than-human species outside of my body, including plants, fungi and protista through an ecotonal lens. Although these …
The Voice Of One Crying In The Wilderness, Megan Kenyon
The Voice Of One Crying In The Wilderness, Megan Kenyon
MFA in Visual Art
I am a Midwestern, Christian, and feminist artist. I make work about the beautiful, broken, and absurd ways in which American evangelical culture influences lives, especially women’s lives. I’m dragging everything into the light by deconstructing and critiquing the world in which I live, move, and have my being. I do this by harnessing prophetic imagination and incarnational space to shine a light on how patriarchy infects evangelical Christian theology and practice. Using prophetic imagination through photographic self-portraiture and text (my own and found texts using the Bible), I seek to make plain the effects of white, Christian patriarchy on …
Contact Sheet, Jiwoong Jang
Contact Sheet, Jiwoong Jang
Theses and Dissertations
Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.
Visual Representation Of Black Individuals At The Forefront Of Underground Railroad Interpretation, Alison Spongr
Visual Representation Of Black Individuals At The Forefront Of Underground Railroad Interpretation, Alison Spongr
Museum Studies Theses
This thesis is grounded in a reflection and analysis of the building of an institution whose foundation and visuals position the narratives of Black individuals at the forefront of Underground Railroad interpretation. In 2018, the Niagara Falls Underground Railroad Heritage Center opened to the public after decades in the making. Its permanent exhibition, One More River to Cross, set in motion a shift in power – of whose stories are represented and shared – generated by visual activism.
“Between the American Revolution in 1776 and the end of the Civil War in 1865, thousands of freedom seekers escaped slavery …
Ni De Aqui Ni De Alla..., Jc Santistevan
Ni De Aqui Ni De Alla..., Jc Santistevan
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
Ni de aqui ni de alla navigates the complexities of belonging to two cultures-Mexican
and American-while not fully identifying with either. By visualizing liminal spaces,
migratory patterns, and quotidian subject matter the work serves as a metaphor for
the Latinx experience in the United States-an experience defined by conflicts between
conformity and resistance, individuality and community, spirituality and secularism,
alienation and belonging. "Black and white are the colors of photography…..they
symbolize the alternatives of hope and despair," Robert Frank once said, and it is
through a nonlinear installation of black and white imagery that I seek to describe the
push …
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow
Electronic Theses and Dissertations
These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …
See How Man Was Made, Lilian C. Smith
See How Man Was Made, Lilian C. Smith
Senior Projects Spring 2023
First there was Chaos, the gaping abyss. From Chaos came the Earth and soon after darkness and Night, from which came Day and Light. To be her husband, Earth created Sky. They made many children together, the Nymphs of the hills, the Hekatonkheires, the Cyclops, and the Titans. When Earth and Sky’s youngest Titan son Cronus overthrew his father, he castrated him, sending bits of the sky into the sea where Aphrodite, goddess of love and beauty was born. Cronus ruled until he himself was overthrown by his own youngest son, Zeus.
See How Man Is Made is a project …
A Part From You, Kenneth Rick Briggenhorst Jr.
A Part From You, Kenneth Rick Briggenhorst Jr.
MSU Graduate Theses
I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …