Art Practice Commons^™

Vernacular Whimsy., Aleta Nadine Chandler

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition entitled Vernacular Whimsy at Johnson City Area Arts Council, Johnson City, Tennessee, November 1-13, 2008. The exhibition is comprised of thirty ceramic sculptures presented on pedestals. The exhibition presents the artist's investigation and reinterpretation of regional architectural elements. Practical consideration of structure, technique, and influence is discussed. Included are detailed images as well as a complete catalog of the thesis exhibit.

It's Important For Me To Get Good Light. Or "Things Which Are Happening", Elizabeth Ferguson

Pitzer Senior Theses

Artists' book utilizing cross disciplinary media.

Symbiosis., Jeri Allison

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Symbiosis, hosted by the Natural History Museum in Gray, Tennessee, from May 1st, through August 1st 2008. The exhibit includes works produced during the artist's three years of study at East Tennessee State University.

The subject of the exhibition consists of drawings of the elephant's place in history through its relationship with humans. Topics explored include the elephant as victim, servant, god, prey, and ultimately as teacher. Discussion will also include artistic influences such as Sue Coe, Deborah Butterfield, Franz Marc, and Frank Noelker as well as theoretical influences by …

Secondhand Chinoiserie And The Confucian Revolutionary: Colonial America's Decorative Arts "After The Chinese Taste", Kiersten Claire Davis

Theses and Dissertations

This thesis explores the implications of chinoiserie, or Western creations of Chinese-style decorative arts, upon an eighteenth century colonial American audience. Chinese products such as tea, porcelain, and silk, and goods such as furniture and wallpaper displaying Chinese motifs of distant exotic lands, had become popular commodities in Europe by the eighteenth century. The American colonists, who were primarily culturally British, thus developed a taste for chinoiserie fashions and wares via their European heritage. While most European countries had direct access to the China trade, colonial Americans were banned from any direct contact with the Orient by the British East …

One, And The Same., Daniel Marinelli

Electronic Theses and Dissertations

This thesis supports the Master of Fine Arts exhibition at the B. Carroll Reece Museum, East Tennessee State University, from March 18^th through May 1^{st, 2008. The exhibition is comprised of fourteen sculptures, which are presented on pedestals or mounted on the wall. The exhibition presents the artist's experimentation and exploration into a variety of different materials, namely wood, steel, paper, linen thread, and milk paint. Topics discussed are the influences, techniques, and methods directly relating to the work. Included are preliminary and detail images as well as a complete catalogue of the thesis exhibit.}

Uniform Series., Caroline Manheimer

Electronic Theses and Dissertations

This paper supports the exhibition entitled Uniform Series, on display in Slocumb Galleries at East Tennessee State University from March 17 to March 21, 2008. The pieces in the exhibit explore the processes of dyeing, printing, and stitching on cottons and sheer silks. The imagery contained in the pieces springs from the use of the artist's first grade school uniform which functions as a symbol of the images, memories, and themes suggested by the artist's life review process. The redemption of the past in order to arrive in the present mirrors the repeated processes involved in dyeing, discharging, and …

Inside, Outside, In-Between., Aurora Maria Pope

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Inside, Outside, In-Between, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.

These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist's materials.

Ideas discussed include materiality, process, composition, …

Exegesis., Christopher Shawne Brown

Electronic Theses and Dissertations

The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer's home in East Tennessee.

The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown's work formally and conceptually. Included are photographers Eugene Atget, Walker Evans, William Eggleston, and Mike Smith as well as the artist Joseph …

Generative Response., Catherine Juanita Martin

Electronic Theses and Dissertations

Within this supporting paper, the artist discusses Generative Response, her Master of Fine Arts exhibition. This paper is a narrative of the artist's development, philosophies, and methodologies. Further, it illustrates how her work and development have been affected by studies in humanity, social activism, human responsibility, and environmental consciousness.

Generative Response communicated the artist's ideology of process as metaphor for living life, involving the viewer in an "unfinished dialogue" wherein works of art undergo processes translating their role as part of a generative cycle. Generative Response was composed of seven sculptural components called "stations" depicting the processes of growth, …

Between The Sheets An Exploration Of Video Art As A Medium For Intimacy And Private Reflection, Tina Tesno

Honors Capstone Projects - All

Between the Sheets: An Exploration of Video Art as a Medium for Intimacy and Private Reflection is a multi-projection installation that uses video art to create an environment for peaceful thought and mediation. The design consists of a corridor leading to an area encircled by a large curved wall. Viewers enter the corridor alone and are greeted by a young woman projected on the wall of the corridor. She guides the viewer through the passage to the curved area where a life-sized projection of a forest awaits. Here, the viewer is invited to stay to enjoy the freedom from distraction …

Representaciones De Figuras Feministas En La Muestra Despierta!, Kathryn Lane

Pitzer Senior Theses

Elizabeth Waltenburg es una artista contemporánea argentina. En su muestra, despierta!, las obras en óleo sobre tela representan a mujeres, niños y animales en fondos extraños y deprimidos. Ella utilize simbolismo de animales y figuras femeninas para discutir el feminismo actual. Ella trabaja en un tiempo complicado por el feminismo, el postfeminismo, la critica de ambos, y un sistema de comunicación global. Su trabajo marca una tendencia hecho por la confusión de todos estos movimientos. Esta tesis discute su trabajo en el contexto de la historia de representaciones de mujeres, de niños y de animales para llegar a una mejor …

A Call For Liberation: Aleijadinho's 'Prophets' As Capoeiristas, Monica Jayne Bowen

Theses and Dissertations

Throughout the late eighteenth century, many Brazilians became inspired by the political revolutions of the French and American colonies and sought for a similar type of revolution, hoping to gain independence from the Portuguese. One nationalistic group, the "Inconfidência Mineira," probably influenced the art of the sculptor Aleijadinho (1738-1814). Aleijadinho's work has been examined as a political message previously, but never as propaganda through the representation of capoeira, an Afro-Brazilian martial art. Capoeira probably formed as a means for Afro-Brazilian slaves to fight their way out of captivity. While training to fight, slaves would disguise capoeira to look like a …

Dairy Culture: Industry, Nature And Liminality In The Eighteenth-Century English Ornamental Dairy, Ashlee Whitaker

Theses and Dissertations

The vogue for installing dairies, often termed "fancy" or "polite" dairies, within the gardens of wealthy English estates arose during the latter half of the eighteenth century. These polite dairies were functional spaces in which aristocratic women engaged, to varying degrees, in bucolic tasks of skimming milk, churning and molding butter, and preparing creams. As dairy work became a mode of genteel activity, dairies were constructed and renovated in the stylish architectural modes of the day and expanded to serve as spaces of leisure and recreation. Dairies were often lavishly outfitted to create a delicate and clean atmosphere, a fancy …

The Laboratory On 53rd Street : Victor D' Amico And The Museum Of Modern Art 1937-1969, Briley Rasmussen

Graduate Student Independent Studies

This project addresses previously unexplored areas of Victor D'Amico's career as Director of the Education Department at the Museum of Modern Art (MoMA) from 1937-69, during which time he developed and implemented his philosophy on creative teaching that developed creativity, innovation and appreciation for modern art through a focus on individual aesthetic experience. Beginning with MoMA's early role and mission and the founding of the Education Project, the education programs as a laboratory for experimental art education are studied, specifically the Museum's television series Through the Enchanted Gate and the Children's Art Carnival as exemplars of D'Amico's experimental programming. This …