Art Practice Commons^™

This Life Is A Constant Rehearsal, Alex Schmidt

Theses and Dissertations

Alex Schmidt’s conceptual practice explores the artist’s precarious condition as an affective freelance worker; a utopian parasite. Schmidt employs paintings as props, performance as muse, and writing on transactional care as a metaphor for this cobbled life.

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

To, From: Of Time, Of Distance, Of Body And Mind, Fanxi Sun

Theses and Dissertations

This paper introduces the concepts, theories, and techniques associated with my thesis project “To, From.” The paper consists of three parts: Time as Structure, Distance as Premise, and Body and Mind. Each chapter is written in a mixture of personal narration and a general introduction to materials that are directly or implicatively relevant and important to the creation of my project. In this experimental narrative comprises film screening and live performance with multi-channel sound, I tell a story of non-story. Words and the exchange of words, movements and non- movements, objects that are being handled and subjects that are handling... …

We Miss Each Other, As In We Are Missing Each Other, Lily L. Randall

Theses and Dissertations

I am interested in the way metaphors efface the terms of their comparison and what utility COVID-19 has when positioned within a metaphor. In Lacanian psychoanalysis, metaphors touch the subject, symbolized by the plus sign (+) or the crossing of the signifier into the signified. In the fall of 2019, I presented a performance in which three participants strategically shared saliva, nasal, ear, and vaginal swabs to therapeutically address my chronic illness. Currently in 2021, our conceptions of bodily sharing revolve around the extreme contagiousness of COVID-19. There is a demand to visualize this contagion as if “respiratory droplets” were …

Interview, Elizabeth Naiden

Theses and Dissertations

An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.

Water Gets Lost In The Sea, Sun Gets Lost In The Desert, Rocio Paz Guerrero

Theses and Dissertations

The absence of happiness, the absence of nature, the absence of justice, the absence of absence, which is presence. My desire is to make these voids visible and sensible by connecting to and with others, from our intimate and collective life experiences, with empathy, and by sharing. Through a hybrid of sculpture, installation, and performance, I move within this tense in-between space, asking myself about that void, if it is possible for it to be filled, or if it is perhaps too big, or if it is perhaps too late.

Heavy Hold: A Physical Score, Alexandra Velozo

Theses and Dissertations

This document is a collection of essays, stories, and fictional interviews that are in conversation with my performance, teaching, and sculpture practice. My research and work considers chronic illness, disability, the historic cultural connection between swamplands and illness, the medical industrial complex, medical theater, the medical gaze, disabled performers, metatactile space, sensory learning, and access.

I Hope My Black Skin Don't Dirt This White Tuxedo, Luis A. Vasquez La Roche

Theses and Dissertations

I Hope My Black Skin Don't Dirt This White Tuxedo is a series of works--sculpture, installations, and performances--that explore themes of shame, failure, commodity, ephemerality, ritual, resilience, erasure, race, and death. The research and interest in these themes stem from a page of the Trinidad and Tobago Slave Registry. I use the research that surrounds this document to highlight different moments in history, in my personal life, and to imagine near futures.

Ghost Signs Are More Than Paintings On Brick, Eric Anthony Berdis

Theses and Dissertations

My work embraces a maximalist aesthetic that incorporates, archival research, personal secrets, and pubescent gay boy glamour. I seek to create a stimulating yet jarring experience, while building a world that is both familiar and inherently strange to the viewer. Thrift store cast-offs, hobbyist craft supplies, and saturated drawings are reassembled into a cast of characters and costumes that balance on the line between ghosts, creatures, and friends. While we often think of costume and even art installations as meant to cover bodies and walls, my work tends to reveal more than conceal. I aspire through this work to shine …

Needle And Thread, Caitlin Carvalho

Theses and Dissertations

Needle and Thread is an expanded cinema performance that involves the projection of 16mm film, archival footage, video, 35mm slide projection, soundscape and liquid light projection. It explores the fibers of connection, the thread that ties together my matriarchy, utilizing the language of cinema to piece together the memories.

The Relationship To Architecture Is Not Insignificant, Rachel Hillery

Theses and Dissertations

Working with writing, psychology, photography, and architecture, I develop texts that are performed with custom-built furniture and objects in unexpected spatial conditions. The paper traces the development of my writing and performance and my explorations of power and gender dynamics.

Work And Work, Rebecca M. Baldwin

Theses and Dissertations

work and Work chart tracks my work/job and my Work/art to see how one can change the other.

Humans Aren't Boxes, Art Isn't Finite, Brianne Alta Humphreys

Theses and Dissertations

I am bored. All around me are systems that perpetuate repetitive, reductive, and mundane modes of living. In an attempt to counter a culture obsessed with singular ways of existence and bite-sized perfection, I utilize moving mediums of video and performance to dive head first into a vast array of sloppy sincerity. The crisp, white-washed, analytical, and restrictive is loudly replaced with the empirical, haphazard, and instinctual. My intention is to create and encourage raw, performative-based work that is as multifaceted as unbridled life itself. This alive and physical practice hosts a conglomeration of sweat, memories, heartbreaks, hymn singing, line …

Murmur/Murmuro, Paola M. Di Tolla

Theses and Dissertations

By using repetition or misplacing intonations and accents, etc. one can imitate the slipperiness of spoken language. However, it is the accidental slippage that I find most revealing and exciting because it allows for two conversations to exist in one. Once spoken language is transcribed as text, it is put through another filter and the risk of [accidental] slippage increases by a different measure. Fingers don’t keep up or autocorrect insists on taking matters into its own hands.

Making Sounds, Patrick Costello

Theses and Dissertations

Using collaboration and performance as tools, I situate my personal story, my body, and my skills and interests within a contemporary landscape that is intersectional, full of partialities, and rooted in evolving ecologies.

Absence Is Presence With Distance, James Bayard

Theses and Dissertations

Prompting obvious considerations for freedom and nationalism, language and race, time, and decay, the work asks not only what it means to be an American today, but also, more broadly, what it means to be human—to breathe and act, to live and die.

Play Doh's Cave And The Pursuit Of The American Cream, Becky S. Sellinger

Theses and Dissertations

Take a minute. Imagine Wiley Coyote and Road Runner are in a domestic partnership. What would that look like? Close your eyes and Pause for 30 seconds. Don’t you see? Coyote never catches up. They keep running faster and faster. Everything in the house gets swept into the whirlwind they’ve created in their paths - the books, the shelves, the bed, and the desk lamp. Their circling movement creates a vacuum, which ultimately causes the entire structure to implode upon itself.

This text is an examination of my work and its relationship to the economic and the domestic. The metaphor …