Art Practice Commons^™

Beyond The Classroom: Building Professional Skills With The Flyaway Mural, Augusta Gaston

Honors Theses

In April of 2022, I completed a collaborative mural at Reflection Riding Arboretum and Nature Center in Chattanooga, Tennessee. Reflection Riding hosts a radio antenna connected to the Motus Wildlife Tracking System, which studies animal migration routes through North, Central, and South America. Working collaboratively with artists Rondell Crier, Tyus Allen, and Professor Derek Witucki, we designed and installed a mural that would communicate the Motus research to their visitors in the absence of a Reflection Riding employee. The project was funded by various grants awarded by ArtsBuild and The University of Tennessee at Chattanooga, and organized by budgets that …

Nocturne Series, Jessica Kirker

Honors Theses

My oil paintings explore the mingling of interior and exterior space. Each work in this group focuses upon nocturne scenes with the inclusion of reflections. Inspiration for my work comes from photographs I have taken while walking around at night or from the windows of the space I am in. I have also layered images to develop my own created spaces. Surrealism has played a prominent role in the development of these artworks. The elongated canvases reference the human form and the presence of the viewer in front of the work. With the size of the canvas in mind, I …

Of A Mustard Seed: The Portraits Of "Church-Going" Black Folks In The Rural South, Nakiyah T.M. Jordan

Honors Theses

I am a Black, queer, faith-driven artist from the rural parts of Southern Mississippi. Who I am greatly informs the work I make. I come from church fans and gas heaters, from winding backroads and yards full of “junk.” I come from flattened “get well soon” balloons as decor and piles of papers and things that will surely come in handy someday or another. This series of paintings is taken directly from snapshots of my family and church family over the years. Some are images from thirty years ago, and others are from just a few months ago. The work …

Fakes, Forgeries, And Value Perception, Pearson Moore

Honors Theses

Fakes and forgeries generate a false sense of value in the art market that changes the perception of authentic works. Understanding the difference between a fake and a forgery is essential for explaining the schemes of deceivers who have fooled the art market into believing their work is of grandiose value and prestige. The creation of a forged piece or fake provenance documents requires immense artistic skill and a talent for breaking the rules. Examining famous figures and the criminal cases against them is a great way to work backwards from their “successes,” tracing the alleged origins of the piece’s …

Steel Sculpture: A Study Of Monumentality, Abigail Golodik

Honors Theses

This thesis is an exploration of steel sculpture and how each form varies in characteristics and prominence depending on size, shape, and color. I am inspired by graphic design and clean forms, and wanted to realize this aesthetic in my sculptures. The thesis work includes four steel sculptures made of two inch pipe and other maquettes and sketches to show the construction process.

Through sharp angles and clean lines, I play with perspective, making viewers feel the presence and tension of my forms. I begin with sketches, construct maquettes, and use these as a blueprint during the final production. Drawing …

Authoritarian Pedagogical Practices In Dance Teaching And Choreography, Charlotte Carmichael

Honors Theses

This paper examines the authoritarian pedagogical practices found in educational settings and more specifically, in Western classical and contemporary dance training and rehearsals. These practices have been a part of dance for centuries, and their legacy has had severe impacts on the ethical, psychological, and political undercurrent of students’ educational and professional experiences. First, the historical roots of authoritarian teaching techniques are presented. Next, the ways in which dance teachers and choreographers employ authoritarian teaching behaviors are considered and examined. Finally, in hopes of providing a better template for the future, an overview of the ways in which some dance …

Lacuna: Transcendence Of The Human Body Through The Space Between, Anica Bottom

Honors Theses

This essay examines the author’s choreography, Lacuna, and research integral to its representation. During the choreographic process, experimentation of how the human body moves in relation to different architectural space was observed. In collaboration with the cast of dancers, cohesion of personal experiences in particular locations was evaluated: specifically, investigation of how environments has the ability to trigger habits or patterns of movement from both past and present experiences. A closer look at how the body responds on a visceral level to the physical and emotional sense of place is described. Although the choreographic piece, Lacuna, came to …

Uncharted Territory: Critical Social Artistic Practices In The 21st Century, Kyra M. Detone

Honors Theses

Since the early 1990s, the American art world has witnessed the rise of critical social artistic practices that are largely collaborative projects driven by participatory experiences between artists and community. With its roots in the activist, protest, and public art movements beginning in the late 60s, socially engaged art steps out of traditional viewing spaces like the museum and directly confronts society’s object-based and monetary understanding of art. Driven by process and dependent on coalition building, creative problem solving, and public service rather than profit, socially engaged critical practice is complex and demands a new vocabulary through which to critique …

Bridging The Gap: Making Modern Dance Accessible To The General Public Through Elements Of Art And Entertainment, Samantha S. Russell

Honors Theses

My senior choreographic project, DoRaMiFaSoDoSiDo, was inspired by and dedicated to the relationships I share with my six siblings. It was set to the song "Attaboy" off of the collaborative album The Goat Rodeo Sessions by Chris Thile, Yo-Yo Ma, Stuart Duncan, and Edgar Meyer. Influenced by the bright and fun atmosphere of barn dances, this seven-person concert dance was performed in the Repertory Dance Company Fall Dance Concert at the Mannoni Performing Arts Center in Hattiesburg, MS in the fall of 2015. This paper investigates different choreographic methods that I discovered through the process of creating my senior project …

Race & Rock & Roll: A Visual Analysis Of Rolling Stone Cover Photography, Erica D. Block

Honors Theses

If African Americans heavily influenced the development of rock & roll as a musical genre, why do we picture rock stars as white men with guitars? In this project I examine, with a particular focus on race, how the the visual culture surrounding rock music evolved to where it is today. To do this, I performed a close visual analysis of Rolling Stone Magazine covers from 1967-1980. In this presentation I illustrate Rolling Stone's trend of featuring 'white negroes' on their covers, which allowed the magazine to use the selling power of a white person's face while retaining the attractiveness, …