Art Practice Commons^™

How I Came To Jam With The Angels Of The Dirty South: A Journey Into Art And Art Education, Miki Skak

Graduate Theses and Dissertations

This paper dives into my personal journey from a far-left activist youth into becoming an artist. It explains how a poet saw artistic potential within me, introduced me to the world of art and eventually art education. I reflect on the art education I have received from several different art schools and how they try to adapt to the demands of the contemporary art world that has been in a constant condition of reshaping itself since Marcel Duchamp’s readymade. As an artist who is less focused on the techniques of traditional artistic mediums, I investigate how the state of art …

Standing On The Edge Of A Dream, Parto Ahmadpour Mobarake

Graduate Theses and Dissertations

Standing On the Edge of a Dream delves into the intricate tapestry of lived experiences shaped by relocation, emphasizing the nuanced space that exists between reality and imagination. As an individual who has undergone the transformative journey of immigration, I recognize that the concept of relocation is like standing on the edge of a dream. This notion becomes a living structure, intricately woven with threads from our past, present, and future. My artistic exploration extends beyond my artworks, yet it remains deeply rooted in my personal narratives. The artworks in the exhibition continue to draw inspiration from personal memories and …

Where Will I Be From, Melissa Loney

Graduate Theses and Dissertations

Where Will I Be From is an exhibition and film centered around the intersections of generational grief and technology. I documented domestic locations connected to my family across the Great Plains. This on-site photo documentation was then used to create photogrammetric renderings of these locations and their structures, recorded in the open-source CAD software Blender. Together, these familial places, separated by hundreds of miles, were digitally compiled to make one collective world. The aesthetic of this project connects the visual languages of Southern Gothic and Low-Poly Video games. The Gothic nature exposes an isolated decaying presence within a rural landscape. …

Personal Equation, Nicholas Hobbs

Graduate Theses and Dissertations

The body of this paper is a formatted version of text which exists natively on the web and is accessible at www.personalequation.art. Its non-linear narrative is meant to accompany and mirror, not describe, the artwork in the exhibition. The following two paragraphs are copied from the exhibition statement accompanying Personal Equation, which is on view in the Reading Room at the Fayetteville Public Library from April 3 to June 30, 2023: A personal equation is one that attempts to account for the inevitable role of subjectivity in scientific observations. The term was coined by astronomers in the 18th century who, …

The Office Of Possible Projects, Juliette Walker

Graduate Theses and Dissertations

This writing is a companion to the MFA thesis projects that I presented in the Spring 2022 semester at the University of Arkansas in Fayetteville, Arkansas. My thesis work did not exist as a singular, solo exhibition in a traditional gallery space like it did for most of the artists in my graduating cohort; rather, I completed three different but substantial and interrelated projects, many of which occurred outside of traditional art spaces: the Office of Possible Projects at the Fayetteville Public Library, the Cake Stand Biennale which took place across the city of Fayetteville, Arkansas, and the office of …

A Boy Born On Wednesday, Charles Krampah

Graduate Theses and Dissertations

My relocation to America has presented an unprecedented space for self-examination. The components of my identity and personality have been laid bare before me; My blackness in the face of racism and white hegemony, my African heritage in the face of post-colonialism and imperialism, and my faith in the face of an increasingly secular western culture.

Am I who thought I was? Am I more or less? Why do I feel like a different person, and what does this mean for my future?

My research and art practice serve as a form of introspection. I tell an internal story in …

Boring Magic, Madison Svendgard

Graduate Theses and Dissertations

Boring Magic encompasses an interest in labor, boredom, and exhaustion. Simultaneously, I am exploring what relief and escapism from these things look like. Escapism acts as the core of my work- what escapism looks like and what creates the need for escapism. I create narrative pieces that are always slightly removed from reality as a way to reflect on what I view as present-day dystopias. The worlds built to create this work are a combination of my lived experiences and invented characters and stories, which culminate in an alternate timeline set in the late 1990s and early 2000s. Relating to …

Crying At Nothing But Colors, Maryalice Carroll

Graduate Theses and Dissertations

crying at nothing but colors is an installation of ceramic works that explores the abstraction of feelings, both physical and emotional. The installation itself is a house made out of tension cables that stretch wall to wall in the gallery space. Inside the house are 7 ceramic objects placed on wooden pedestals paired with tufted rugs.

Throughout this essay, I will describe the abstract ceramic objects as Beings. They are colorful and have textured glaze on the surface with a gloopy opalescent glaze oozing out of holes that cover each piece. They are an extension of myself. They are the …

As The Sun Yellows The Green Of The Maple Tree, Adam Fulwiler

Graduate Theses and Dissertations

As the Sun Yellows the Green of the Maple Tree is a body of paintings investigating communication, improvisation, play, and painting’s capacity for transformation.

Reflecting on my childhood spent with my brother, Austin, who experiences sensory differences due to autism, I establish a painted space that is both forcibly disjointed and meaningfully connected, invoking the uncertainty and complexity of perception and communication. Through chromatic nuance, physicality, representational ambiguity, and visual tempo, I invite the viewer into the act of slow looking—to encounter each work as a living, breathing, individual entity.

In the studio, I invent rules and aleatoric devices, mimicking …

Nba: No (Anti-) Blackness Allowed, Rontaye M. Butler

Graduate Theses and Dissertations

This paper serves as the foundational pillar in my art practice. This paper combines my experiences, influences, motivations, hopes, dreams, methodologies, historical research and contemporary analyses into a single document ripe for revisions. This document lives and breathes; its contents are constantly evolving, and should be continually challenged and evaluated for relevancy and validity. Part memoir, part manifesto, and part artist statement, it establishes where my work sits in the canon of fine art, even as I don’t know yet what that means. My writings, visual artworks and all other creative actions are tethered to this document and vice versa. …

Invisible Until, Markeith Woods

Graduate Theses and Dissertations

“Invisible Until” explores my personal experiences while working full time at Tyson Foods in Pine Bluff, AR up until moving to Fayetteville for graduate school. The body of artwork comes from reflecting on past a present while drawing from inspiration from Jacob Lawrence, Kerry James Marshall, Jordan Casteel, and more. Using history as a tool to break down the American struggle I used conversations amongst my high school classmates to pull from their direct experiences to convey life and what it means to come from Pine Bluff. By using real people and their life events of trying to achieve progress, …

Meet Everyone With Art At Location And Time; M.E.A.L.T. Phase 1, Michael Louis Leblanc

Graduate Theses and Dissertations

As an artist who participates in socially engaged arts, it is paramount in my practice to cultivate the balanced power relationship between the audience and artist by providing an ongoing safe environment, accessible subject matter and venue location, and a mechanism that not only calls for participation from the audience but empowers them through direct action. Meet Everyone with Art at Location and Time or M. E. A. L. T. Phase 1 is a mobilizable art exhibition with the long-term goal to meet the audience where they are and to offer an alternative to traditional person-to-person interaction and socializing.

M. …

Age, Ty Barnes

Graduate Theses and Dissertations

Age is a body of work that uses open ended, multi-directional narrative, economical craft, body positioning, and disorder to create situations for curiosity to take hold and rekindle a sense of naivety. Intentionally pedestrian material choice and playful, curious methodology work in tandem with the visual language of play to create a world building opportunity for the participating viewer. The objects are anchors or starting points with spaces in between for flexible narratives and imagined and reimagined worlds with no prescribed beginning or end point.

The exhibition and written thesis represent a conglomeration of connected-by-association ideas, a Rube Goldberg machine …

The Systemic Punches: Displacement Experience Of Vulnerable Immigrants, Eric Andre

Graduate Theses and Dissertations

"The Systemic Punches: Displacement Experience of Vulnerable Immigrants" focuses on the impact of systems of state control such as immigration laws, policies, and practices that have been institutionalized and that have marginalized immigrants. In my thesis, I pay specific attention to inhuman acts of exclusion and discrimination resulting from the systemic barriers perpetuated by xenophobic and nationalist ideologies.

From this standpoint, my thesis exhibition employs interactive space, which includes visual art (drawing, sculpture ceramics), projection, video, and sound, as a means to explore the effects of the exclusive and discriminatory immigration policies and practices. Furthermore, it is designed to explore …

Turning Tides, Lauren Whitmore

Graduate Theses and Dissertations

Synthesizing personal narrative, sociological phenomenon, and art historical analysis, Turning Tides examines the relationship between power dynamics and sexual assault. Inequities and injustices with regard to the handling of sexual assault, and the norms that allow this issue to be pervasive, are woven throughout the cultural fabric of the United States. Feminists and feminist activist artists in the 1970s brought the matters women, and other marginalized groups, were facing to the forefront of political and social dialogue. The resulting work left an indelible mark on public perceptions and allowed for other activists and artists to build upon the foundations; creating …

Weather Permitting, Acadia Kandora

Graduate Theses and Dissertations

Weather Permitting is an exhibition of objects and printed matter, primarily in the form of publicationsthat examine my relationship to nature and the idea of nature as both sanctuary and armor. At a young age, my parents would take my on a hike every Sunday instead of going to church. The hikes acted as a weekly pilgrimage deep into the woods and a ritual instilling the idea of nature being a place of spiritual refuge and retreat. A sanctuary - of course, weather permitting.

As I grew up and experienced hardship, my first instinct has always been to go hide …

Made Of Water, Covered In Mud, Nicole Norman

Graduate Theses and Dissertations

My fixation on water as metaphor is a product of my cosmic design; Scorpio sun, Pisces moon, Pisces rising. I am made of water, begging to be held. Anything liquid has this same desire. I use my art practice to examine the fluidity of physical and digital spaces; how they transform almost constantly. This is only possible through the use of containers that give form to abstract ideas and make them easier to drink (read: digest). Containers can vary in size and shape, but their purpose remains the same. A drinking glass, a swimming pool, a creek bed. These are …

What's Going On Here, Joanna R. Pike

Graduate Theses and Dissertations

This project is an installation depicting shirts and pants in various degrees of Recognizability. The Components vary from somewhat Unrecognizable to entirely Unrecognizable; Bumps and Blocks are interspersed and interrupt the Semi-logic of What’s going on here while adding repetitive elements to clarify the existence of the Semi-logic. The arrangement of the Components in the installation makes the Unrecognizable forms surrounded by the In-between Space into somewhat Recognizable versions of shirts and pants. The viewer does not fully recognize all the Components, but instead understands the implied Recognition given their existence within the installation. The ideas of Lists, Patterns, Systems, …

Do You Want To Be Tender?, Leah Grant

Graduate Theses and Dissertations

In this thesis, you will find a body of writings and artworks that reflect Leah Grant’s art practice and research. Throughout the paper, you will see Leah alternate back and forth between her artwork and writings. Leah Grant addresses her personal experience as a Black woman and what it means it explore vulnerability through understanding how the relationships around her affects the relationship she has with herself. Leah has created a collection of poems, prints, and video and audio collages that assist her with revealing and concealing.

Optimistic And A Little Flawed, Christian Schultz

Graduate Theses and Dissertations

The accompanying exhibition to this paper, Optimistic and Flawed is a body of drawings and objects that explores the liminal space between playful and intended actions. Inspired by the landscape of the yard and the actions that take place within, the goalless play of a child and the laborious maintenance of an adult. The value of play exists within labor and labor exists within play. The drawings observe this through the theoretical framework of telic and paratelic motivational states as they relate to drawing. Abstracted yards and landscapes provide a space for the labor of the hand. A history of …

Heartwork, Lance Taylor Loftin

Graduate Theses and Dissertations

Heartwork is a collection of paintings, drawings, and sculptures that explore the many ways identity is shaped by familial histories and personal memory. Focusing on my time growing up on a pine tree farm in Jackson, Mississippi in the early 90s, Heartwork explores gender, religion, regional traditions, family, and art. Through conversations and collaborations with my family, painting acts as an impetus for strengthening relationships. By reevaluating the past, I am able to create a web of interconnected narratives that inform and shift my understanding of the present.

Liable To Change, Jody Travis Thompson

Graduate Theses and Dissertations

Liable to Change is a body of paintings in which I explore diverse approaches to the representation of visual space. Depictions of space and movement change throughout the pictures by combining various artistic conventions, such as trompe l’oeil realism and non-objective, geometric abstraction. Oil paint, resin, beeswax, and other materials create built-up surfaces which contain the history of their making. Interaction between various finishes and light on these surfaces changes based on the viewers' proximity to the painting. Images of monkey bars, lattice, golden ratio and flower of life patterns provide a structure through which line, form, and space are …