Art Practice Commons^™

Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti

Electronic Thesis and Dissertation Repository

This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.

This research has taken the form of a written dissertation and two adapted projects, and positions …

Tangled Hair: Uncertain Fluid Identity, Niloufar Salimi

Electronic Thesis and Dissertation Repository

This dossier consists of three chapters. Chapter one is an extended artist statement within which I discuss a very particular notion of identity that acknowledges its fluidity and ever-shifting qualities. Further in this chapter, I address my studio practice processes and its overall development, as well as making a detailed comparison with Roni Horn’s drawings and also Mona Hatoum’s artwork. Chapter two is a documentation of selected works that I have made in the studio during my two-year candidacy at Western University. Each work is accompanied by a brief description. Chapter three is a case study on Shirin Neshat’s photography …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …