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Art Practice Commons

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Theses/Dissertations

Western University

Body

Articles 1 - 3 of 3

Full-Text Articles in Art Practice

Pharmakon: From Body To Being, Jérôme Y. C. Conquy Apr 2021

Pharmakon: From Body To Being, Jérôme Y. C. Conquy

Electronic Thesis and Dissertation Repository

This thesis dossier is separated into the following distinct sections: an extended artist statement; a portfolio documenting artworks made during my MFA candidacy and my exhibit Pharmakon: Acts, Traces, and Maps; and a case study of artist Tony Oursler, whose video and multimedia installations explore the psychological and social relationships between individuals and technologies. Together, they present my exploration of the body’s ‘power of acting,’ or potentia agendi, in relation to the modificatory capacity of technology, or affectus, on the human body. In particular, I investigate the body’s habits, or capacity for habit-building, what Bourdieu calls habitus, and the interconnection …


Absence And Proximity, Zhizi Wang Jul 2019

Absence And Proximity, Zhizi Wang

Electronic Thesis and Dissertation Repository

This dossier is combined with my Master of Fine Arts thesis exhibition, Absence and Proximity. This paper includes the following components: an extended artist statement, documentation of art practice and a case study of Rafael Lozano-Hemmer’s First Surface. The first two chapters investigate the digital representation of the body through affect, boundary and subjectivity. I also examine my material and technical choices related to these concepts. The last chapter focuses on how First Surface opens up the possibility of identification through building a body-technology complex.


On Coming And Going, Quintin Teszeri Jan 2016

On Coming And Going, Quintin Teszeri

Electronic Thesis and Dissertation Repository

This dossier and the accompanying exhibition On Coming and Going (presented at the Artlab Gallery in January 2017) constitute my MFA in Visual Arts thesis. The first chapter of this dossier is a Comprehensive Artist Statement in which I reflect on how my art, thinking, and life engage different meanings of coming and going in different ways. The statement approaches a deeply subjective and aggregate philosophy, or perhaps an attitude, or perhaps most appropriately if also most cliché, a way of being, in the face of relentless transience. The second chapter is a review of Michel de Broin’s 2016 Castles …