Art Practice Commons^™

Rui(N)Ation: Narratives Of Art And Urban Revitalization In Detroit, Jessica Ks Cappuccitti

Electronic Thesis and Dissertation Repository

This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. By focussing on artist-led and institutional initiatives, I emphasize the importance of art in both community and narrative-building.

This research has taken the form of a written dissertation and two adapted projects, and positions …

Philosophical Archeology In Theoretical And Artistic Practice, Ido Govrin

Electronic Thesis and Dissertation Repository

The aim of this thesis is to examine philosophical archeology and the feasibility of knowledge that derives from researching it simultaneously through theoretical and artistic practice.

Philosophical archeology essentially embodies one’s relation to history and historiographic research—a research methodology at the core of which lies a “historical a priori”, that which a priori conditions the historical development of a phenomenon. However, this research conceives of philosophical archeology more broadly, as a multifaceted term that traverses the discourse of the humanities at large.

By pursuing this doctoral research, my original contribution to knowledge is twofold: (1) I historicize philosophical archeology—a …

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

Slower Than Time Itself, Matthew S. Trueman

Electronic Thesis and Dissertation Repository

This paper is combined with my Master of Fine Art thesis exhibition, Slower Than Time Itself. There is a significant discontinuity between how duration is measured by clocks and how it is perceived by the individual. This discontinuity generates pressure both on the individual and the environment. The concept of dualism constructs a dichotomy between people and nature, devaluing that which can not be measured. In Slower Than Time Itself the thesis, sculptural and video works aims to dissolve this dichotomy not by rejecting technology but by embracing it. Can one use clocks to escape time itself? I investigate the …

Reading Boredom In Tennyson, Dante Gabriel Rossetti, William Morris, And Christina Rossetti, Rebekah Ann Lamb

Electronic Thesis and Dissertation Repository

Focusing on the poetry of Alfred Lord Tennyson, the poetry and paintings of Dante Gabriel Rossetti, the early poetry of William Morris and the poetry and prose of Christina Rossetti, this thesis examines how boredom emerges in Victorian aesthetic culture. Drawing from writings in visual culture, gender studies, social history, and recent returns to new formalism in Victorian studies, this thesis attends to how renderings of boredom open up our understanding of the relationship between poetry, art, temporality, embodiment, and explorations of everyday life and living in Victorian England.

Chapter One of my thesis is an introductory explanation of boredom …

A Photographic Ontology: Being Haunted Within The Blue Hour And Expanding Field, Colin E. Miner

Electronic Thesis and Dissertation Repository

What are the current boundaries of the photographic and how can an ontology of photography take form as a material and conceptual program of research? Responding to the difficulty inherent in any definitive attempt to grasp photography, this dissertation places emphasis on the less determined act of evoking as a model of dialogue, and engagement, with the photographic. This dissertation is composed of two parts that engage both the question “What is photography?” and the ontological anxiety that shadows it. These lines of questioning are pursued in two ways: directly through considering the qualities of the photographic as elucidated by …

Liquidation, Amanda A. Oppedisano

Electronic Thesis and Dissertation Repository

This dossier is an accompanying document to my MFA thesis exhibition, Liquidation (2014). Within my dossier, I articulate the formal and material considerations of my art making practice in which everyday household goods acquired primarily from the dollar store are manipulated in order to consider the “abject” qualities inherent to these items. Observed through the theoretical work of Julia Kristeva in her essay, Powers of Horror, the “abject” as a term is critically and historically applied to the art objects I create in order to explore the dollar store as the basis for my material selection, but also as a …

Following The Turn: Mapping As Material Art Practice, Kyla Christine Brown

Electronic Thesis and Dissertation Repository

Following the Turn: Mapping As Material Art Practice investigates my artistic practice and MFA research based in London, Ontario. This dossier of research elements includes: an extended artist’s statement, a documentation of artistic practice and development, and a selection of in-process and published exhibition reviews of contemporary artists’ work; in Chapters 1, 2, and 3 respectively. This written document is in part intended to work as a specific accompaniment to my thesis exhibition. In the body of the thesis I propose that a project-based and embodied material art practice can perform mapping of negotiated experiences of the city. Dealing with …